Sprache: Englisch
Verlag: Stanford University Press, 2002
ISBN 10: 0804739609 ISBN 13: 9780804739603
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Stanford University Press, 2002
ISBN 10: 0804739609 ISBN 13: 9780804739603
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In den WarenkorbZustand: New. pp. 400.
Sprache: Englisch
Verlag: Stanford University Press, 2002
ISBN 10: 0804739609 ISBN 13: 9780804739603
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Zustand: New. Concentrating on both widely known and seldom-read texts from a variety of philosophers, writers and critics, this book analyzes the genesis and structure of interruption, a topic of growing interest to contemporary literary studies, continental philosophy, legal studies and theological reflection. Series: Meridian: Crossing Aesthetics. Num Pages: 400 pages, 1 half-tone. BIC Classification: HPCD. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 21. Weight in Grams: 540. . 2002. 1st Edition. paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 379 pages. 9.25x6.25x1.00 inches. In Stock.
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In den WarenkorbZustand: New. Concentrating on both widely known and seldom-read texts from a variety of philosophers, writers, and critics-from Leibniz and Mendelssohn, through Kleist and Hebel, to Benjamin and Irigaray-the book analyzes the genesis and structure of interruption, a top.
Sprache: Englisch
Verlag: Stanford University Press Nov 2002, 2002
ISBN 10: 0804739609 ISBN 13: 9780804739603
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Speech act theory has taught us 'how to do things with words.' Arresting Language turns its attention in the opposite direction-toward the surprising things that language can undo and leave undone. In the eight essays of this volume, arresting language is seen as language at rest, words no longer in service to the project of establishing conventions or instituting legal regimes. Concentrating on both widely known and seldom-read texts from a variety of philosophers, writers, and critics-from Leibniz and Mendelssohn, through Kleist and Hebel, to Benjamin and Irigaray-the book analyzes the genesis and structure of interruption, a topic of growing interest to contemporary literary studies, continental philosophy, legal studies, and theological reflection.