9780804734776 - sublime poussin (meridian series) von marin, louis (7 Ergebnisse)
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Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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Zustand: New. pp. 280.
Sublime Poussin (Meridian (Stanford, Calif.).)
Marin, Louis/ Porter, Catherine (Translator)/ Poussin, Nicolas
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Paperback. Zustand: Brand New. 1st edition. 267 pages. 8.50x5.75x1.00 inches. In Stock.
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Zustand: New. Poussin was the artist to whom Marin returned most faithfully over the years. Since Marin did not live to write his proposed book on Poussin, the ten major essays in this volume will remain his definitive statement on the painter who inspired his most eloquent and probing commentary. Translator(s): Porter, Catherin…e. Series: Meridian: Crossing Aesthetics. Num Pages: 280 pages, 17 half-tones. BIC Classification: AFC; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 17. Weight in Grams: 354. . 1999. Paperback. . . . . Books ship from the US and Ireland.
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Zustand: New. The eminent scholar and critic Louis Marin considered the paintings and the writings of Nicolas Poussin (1594-1665) an enduring source of inspiration, and he returned to Poussin again and again over the years. The ten major essays in this volume constitute .
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Taschenbuch. Zustand: Neu. Neuware - 'Art history and art theory are inseparable. A history of art can be achieved only through the simultaneous construction of a theory of art.' These words of the eminent scholar and critic Louis Marin suggest why he considered the paintings and the writings of Nicolas Poussin (1594-1665), pain…ter and theoretician of painting, an enduring source of inspiration. Poussin was the artist to whom Marin returned most faithfully over the years. Since Marin did not live to write his proposed book on Poussin, the ten major essays in this volume will remain his definitive statement on the painter who inspired his most eloquent and probing commentary. At the center of Marins inquiry into Poussins art are the theory and practice of 'reading' paintings. Rather than explicate Poussins work through systematic textual and iconographic analysis, he sets out to explore a cluster of speculative questions about the meaning of pictorial art: Can painting be a discourse If so, how can that discourse be deciphered Marins horizon for interpreting Poussin depends more on the concepts of aesthetic philosophy and the insights of cultural history than on an account of the painters career or his relationship with his artistic predecessors. For example, he positions several of Poussins best-known landscapes with respect both to French seventeenth-century debates on the question of the sublime and to the philosophical tradition of reflection on the sublime. Among the topics Marin studies are the tempest as a major figure of the sublime in Poussins work, the presence of ruins in the paintings, Poussins use of the concept of metamorphosis, and the frequent presence of sleeping bodies in the work. The Poussin who emerges in these essays is preeminently a philosopher-artist whose painterly discourse embodies the limits of thought and of representation.
