9780804728089 - the mottled screen: reading proust visually von bal, mieke (11 Ergebnisse)
- Softcover
Anbieter: DogStar Books, Lancaster, PA, USADogStar Books
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Paperback. Zustand: Near Fine. Large 8vo 9" - 10" tall; 301 pages; 1997 Stanford University Press. Larger trade size paperback in glossy pictorial covers. Tight, bright and fresh. Feels and appears unread with just trace shelf evidence to cover edges. No marks. NF.
- Softcover
Anbieter: AwesomeBooks, Wallingford, Vereinigtes KönigreichAwesomeBooks
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EUR 19,72
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paperback. Zustand: Very Good. The Mottled Screen: Reading Proust Visually This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after… thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.
- Softcover
Anbieter: Bahamut Media, Reading, Vereinigtes KönigreichBahamut Media
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EUR 19,38
EUR 8,16 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
paperback. Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are n…ot satisfied. See all our books here, order more than 1 book and get discounted shipping.
- Softcover
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK
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EUR 30,29
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: Antiquariat Sander, Dresden, DeutschlandAntiquariat Sander
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EUR 30,00
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OKart. (geringe Läsuren). 284 S., 1 Bl. Gutes, sauberes Exemplar aus der Bibliothek Prof. Dr. Willibald Sauerländer, mit deren Stempel. Sprache: Englisch Gewicht in Gramm: 700.
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 40,84
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Paperback. Zustand: Brand New. 1st edition. 300 pages. 9.25x6.25x0.75 inches. In Stock.
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 41,44
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Paperback. Zustand: Brand New. 1st edition. 300 pages. 9.25x6.25x0.75 inches. In Stock.
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 45,55
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Zustand: New. 1997. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.
- Softcover
Anbieter: Mooney's bookstore, Den Helder, NiederlandeMooney's bookstore
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Zustand: Very Good.
- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
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EUR 34,45
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Kartoniert / Broschiert. Zustand: New. The author challenges the view that literary texts cannot be examined by words alone, arguing that images also play a role in the interpretation process.Über den AutorrnrnMieke Bal is Director of the Amsterdam School for Cultural Analys.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 43,00
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Taschenbuch. Zustand: Neu. Neuware - The clear-cut distinction between texts (literature) and images (art) has been challenged by a culture saturated with television and by an increased emphasis on interdisciplinary studies. From the viewpoint of our present culture, the author suggests, we can now see how some of the great writ…ers and artists of the past overstepped the boundaries of the media in which they worked. The Mottled Screen studies as an example of this process a great literary work that cannot be confined to language alone, even though it consists exclusively of words: Proust's Remembrance of Things Past. The author of Reading Rembrandt: Beyond the Word-Image Opposition, a widely acclaimed study of Rembrandt's discursive, rhetorical, and narrative painting, now offers a symmetrical counterpart to that study with this sustained 'visual' reading of Proust's masterpiece, pointing out its visual strategies of representation, fantasy, and poetic thought. She focuses on the narrative and descriptive passages, examining how they make us 'see,' arguing that this visual writing is by no means a derivative writing that uses visual imagery as an inspiration or model. Instead, it is the writing of a true vision. Beginning with the attempts to emulate painting, the book develops a Proust à la Chardin, working around Chardin's painting The Skate, but only after first reading Chardin through Proust. Viewing a Chardin with anxieties and emulation, Proust writes in Chardin's mood when he sets up the mottled screen as the metaphor of reading. Chardin's appeal to a wavering, roving eye is matched by Proust's uncertain perceptions, and the nervous quality of The Skate is matched by the famous passages recording Proust's disgust at the debris of the breakfast table. The second part of the book is devoted to Proust's use of optical instruments-such as the magnifying glass, the eyeglass, the telescope-to produce or enhance the visions that constitute the raw material of his poetic imagination. These optical instruments guide the probing of the paradoxes of seeing close-up or at a distance, the latter flattening out, the former blinding. The final part reads the specifically 'photographic' writing that permeates Remembrance as a highly original and astonishing contemporary, almost postmodern, poetics. The photographic shows in the way Proust's narrator frames what he sees, contrasts light and dark, zooms in and out, and represents 'contact sheets' of snapshots rapidly taken so as to capture the most fleeting sensations and visions.
