Sprache: Englisch
Verlag: Stanford University Press, 1994
ISBN 10: 0804722390 ISBN 13: 9780804722391
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Stanford University Press, 1994
ISBN 10: 0804722390 ISBN 13: 9780804722391
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 154,72
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In den WarenkorbZustand: New. pp. 288.
EUR 155,21
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In den WarenkorbZustand: New. This collection of 8 essays introduces literary and cultural theorists into the domain of operatic textual analysis, long the exclusive preserve of musicologists. The contributors include some of the most distinguished critics of the past 30 years, most of.
Sprache: Englisch
Verlag: Stanford University Press, 1994
ISBN 10: 0804722390 ISBN 13: 9780804722391
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 204,11
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In den WarenkorbZustand: New. This collection of 8 essays introduces literary and cultural theorists into the domain of operatic textual analysis, long the exclusive preserve of musicologists. The contributors include some of the most distinguished critics of the past 30 years, most of them writing about opera for the first time. Editor(s): Levin, David J. Num Pages: 288 pages, 9 half-tones. BIC Classification: AVGC9. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 211 x 170 x 23. . . 1994. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
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In den WarenkorbHardcover. Zustand: Brand New. 1st edition. 288 pages. 8.50x6.75x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Stanford University Press Apr 1994, 1994
ISBN 10: 0804722390 ISBN 13: 9780804722391
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - This collection of 8 essays introduces literary and cultural theorists into the domain of operatic textual analysis, long the exclusive preserve of musicologists. The contributors include some of the most distinguished critics of the past 30 years, most of them writing about opera for the first time.