Sprache: Englisch
Verlag: University of Nebraska Press, 2013
ISBN 10: 0803245971 ISBN 13: 9780803245976
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: MQ - University of Nebraska Press, 2013
ISBN 10: 0803245971 ISBN 13: 9780803245976
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 30,72
Anzahl: 1 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of Nebraska Press, 2013
ISBN 10: 0803245971 ISBN 13: 9780803245976
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2013. Reprint. Paperback. Traces positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities Num Pages: 358 pages, 29 photographs, 1 illustration. BIC Classification: 1KBB; APF; JFSL9. Category: (P) Professional & Vocational. Dimension: 213 x 140 x 22. Weight in Grams: 436. . . . . . Books ship from the US and Ireland.
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EUR 44,50
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In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 338 pages. 8.75x5.75x1.00 inches. In Stock.
Anbieter: moluna, Greven, Deutschland
EUR 36,76
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In den WarenkorbZustand: New. In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood s representation of Indigenous peoples. Raheja reveals their contributions, and attempts to .
Sprache: Englisch
Verlag: University Of Nebraska Press Jul 2013, 2013
ISBN 10: 0803245971 ISBN 13: 9780803245976
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate.