Sprache: Englisch
Verlag: University of Nebraska Press, 2001
ISBN 10: 0803237278 ISBN 13: 9780803237278
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: University of Nebraska Press, 2001
ISBN 10: 0803237278 ISBN 13: 9780803237278
Anbieter: BookOrders, Russell, IA, USA
Hard Cover. Zustand: Good. No Jacket. Ex-library with the usual features including library label on spine. The interior is clean and tight. Binding is good. Cover shows light wear. 239 pages. Ex-Library.
Sprache: Englisch
Verlag: MQ - University of Nebraska Press, 2001
ISBN 10: 0803237278 ISBN 13: 9780803237278
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 71,66
Anzahl: 1 verfügbar
In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of Nebraska Press, 2001
ISBN 10: 0803237278 ISBN 13: 9780803237278
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2001. hardcover. . . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 92,98
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 239 pages. 9.00x5.75x1.00 inches. In Stock.
EUR 72,39
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. An assessment of the significance of primitivism and its contribution to the intellectual, artistic, and cultural climate of Europe in the early 20th century. This book argues that the radicality of early twentieth-century movements such as expressionism wa.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Primitive Renaissance argues that the radicality of early-twentieth-century movements such as expressionism was not their modernism but rather their primitivism. At the heart of the work of Friedrich Nietzsche, Pablo Picasso, Wassily Kandinsky, Carl Einstein, and others was a critique of modernity through a primitivist aesthetic that privileged art over science and reason. Although drawing on non-European cultural traditions, the new aesthetic was not merely exoticism, an artistic phase or fad that opened a window on the cultural other. It was conceived less as a simple negation of the trappings of civilization than as a more pervasive and structured critique of how life is organized in the modern world. Based on a traditionalist rather than Enlightenment view of the function of art in society, primitivism contended that art provides the core mythic structure for human consciousness. On a broader level, by negating modernity, primitivism also challenged its inevitability. Modernity became one of a number of equally plausible cultural strategies for organizing life in the contemporary world. Ranging insightfully across the visual arts, literature, and philosophy, Primitive Renaissance offers a provocative reassessment of the significance of primitivism and its contribution to the intellectual, artistic, and cultural climate of Europe in the early twentieth century.