Isbn: 9780803236318 - textual and visual selves: photography, film, and comic art in french autobiography (8 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780803236318.

Zustand: New. Investigates ways in which the textual and the visual combine in certain French works to reconfigure ideas and images of self-representation Editor(s): Edwards, Natalie; Hubbell, Amy L.; Miller, Ann. Num Pages: 288 pages, 13 illustrations. BIC Classification: 2ADF; AJ; AKLC; APF; DSK. Category: (P) Professional & Vocational. Dimension: 217 x 144 x 18. Weight in Grams: 382. . 2011. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Zustand: Brand New. 328 pages. 8.50x5.50x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - Autobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investigates, from a variety of theoretical perspectives, the ways in which the textual and the visual combine in certain French works to reconfigure ideas-and images-of self-representation.Surprisingly, what these accounts reveal is that photography or film does not necessarily serve to shore up the referentiality of the autobiographical account: on the contrary, the inclusion of visual material can even increase indeterminacy and ambiguity. Far from offering documentary evidence of an extratextual self coincident with the 'I' of the text, these images testify only to absence, loss, evasiveness, and the desire to avoid objectification. However, where Roland Barthes famously saw the photograph as a prefiguration of death, in this volume we see how the textual strategies deployed by these writers and artists result in work that is ultimately life-affirming.…

Zustand: New. Investigates ways in which the textual and the visual combine in certain French works to reconfigure ideas and images of self-representation&Uumlber den AutorNatalie Edwards is an assistant professor of French at Wagner College.