9780803211261 - reservation reelism: redfacing, visual sovereignty, and representations of native americans in film von raheja, michelle h. (7 Ergebnisse)
- Hardcover
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Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
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Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
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Zustand: New. In English.
- Hardcover
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Zustand: New. An examination of the role of Native Americans in shaping Native portrayals and representations in film Num Pages: 360 pages, 1, black & white illustrations. BIC Classification: 1KBB; APFA; JFSL9. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 23. Weight in Grams: 592. . 2011. Hardcover. . . . . Bo…oks ship from the US and Ireland.
- Hardcover
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Zustand: New. In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood s representation of Indigenous peoples. Raheja attempts to create positive representations i.
Reservation Reelism : Redfacing, Visual Sovereignty, and Representations of Native Americans in Film
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Buch. Zustand: Neu. Neuware - In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the…primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate.Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually negative, messages about Native peoples thatfilms portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators,reveals their contributions, and attempts to create positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities.
