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In den WarenkorbPaperback. Zustand: Brand New. 459 pages. 8.75x6.00x1.50 inches. In Stock.
Sprache: Englisch
Verlag: MY - University of Toronto Press, 2004
ISBN 10: 0802086020 ISBN 13: 9780802086020
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of Toronto Press, 2004
ISBN 10: 0802086020 ISBN 13: 9780802086020
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In den WarenkorbZustand: New. pp. 465.
Sprache: Englisch
Verlag: University of Toronto Press, 2004
ISBN 10: 0802086020 ISBN 13: 9780802086020
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: University of Toronto Press, Scholarly Publishing Division, 2004
ISBN 10: 0802086020 ISBN 13: 9780802086020
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Zustand: New. Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition. Editor(s): Somigli, Luca; Moroni, Mario. Series: Toronto Italian Studies. Num Pages: 488 pages, 33 illustrations. BIC Classification: 2ADT; DSBF; DSBH. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 35. Weight in Grams: 700. . 2015. 2nd ed. paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. 459 pages. 8.75x6.00x1.50 inches. In Stock.
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In den WarenkorbZustand: New. Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition.Über den AutorEdited by Luca .
Sprache: Englisch
Verlag: University Of Toronto Press Dez 2004, 2004
ISBN 10: 0802086020 ISBN 13: 9780802086020
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition. Focussing on the confrontation between these concepts and the broader notion of international modernism, the essays in this important collection seek to understand this complex phase of literary and artistic practices as a response to the epistemes of philosophical and scientific modernity at the end of the nineteenth century and in the first three decades of the twentieth. Intellectually provocative, this collection is the first attempt in the field of Italian Studies at a comprehensive account of Italian literary modernism. Each contributor documents how previous critical categories, employed to account for the literary, artistic, and cultural experiences of the period, have provided only partial and inadequate descriptions, preventing a fuller understanding of the complexities and the interrelations among the cultural phenomena of the time.