Anbieter: Redux Books, Grand Rapids, MI, USA
Paperback. Zustand: Very Good. Paperback. Pages are clean and unmarked. Covers show very minor shelving wear.; 100% Satisfaction Guaranteed! Ships same or next business day!
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In den WarenkorbZustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.
Sprache: Englisch
Verlag: MB - Cornell University Press, 1999
ISBN 10: 0801485894 ISBN 13: 9780801485893
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Num Pages: 336 pages, 6. BIC Classification: AVA; AVGC9; HPN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 225 x 150 x 22. Weight in Grams: 464. . 1999. 2nd Revised edition. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. subsequent edition. 317 pages. 9.00x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Cornell University Press Mär 1999, 1999
ISBN 10: 0801485894 ISBN 13: 9780801485893
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. He proposes that happy endings were a musical -- as opposed to a dramatic -- necessity for opera during this period and that Mozart's Idomeneo is properly enjoyed and judged only when listeners axe attuned to its seventeenth and eighteenth-century forebears.
Verlag: CORNELL UNIV PR, 1999
ISBN 10: 0801485894 ISBN 13: 9780801485893
Anbieter: moluna, Greven, Deutschland
EUR 46,44
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In den WarenkorbKartoniert / Broschiert. Zustand: New. In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. He proposes that happy endings were a musical-as opposed to a dramatic-necessity for opera during.