Isbn: 9780801485411 - the contested parterre: public theater and french political culture, 1680-1791 (10 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Very Good. 1st Edition. *Veteran-Owned, Family-Run, Small Book Store in the Pacific Northwest* FAST SHIPPING!! clean text, very clean; Former library book; includes some library markings. Used book that is in excellent condition.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780801485411.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780801485411.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Num Pages: 264 pages, 14. BIC Classification: 3JD; 3JF; AN; HBJD; HBLH; HBTB; JPA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 156 x 15. Weight in Grams: 380. . 1999. Paperback. . . . . Books ship from the US and Ireland.…

Zustand: New. In English.

Paperback. Zustand: Brand New. 264 pages. 9.50x6.50x0.75 inches. In Stock.

Zustand: New. In the playhouses of eighteenth-century France, clerks and students, soldiers and merchants, and the occasional aristocrat stood in the pit, while the majority of the elite sat in loges. These denizens of the parterre, who accounted for up to.Klap.

Taschenbuch. Zustand: Neu. Neuware - Jeffrey S. Ravel depicts the scene in the parterre where the male spectators occupied themselves shoving one another, drinking, urinating and confronting the actors with critiques of the performance. He traces the futile efforts of the Bourbon Court - and later its Enlightened opponents - to control parterre behaviour by both persuasion and force. Ravel describes how the parterre came to represent a larger, more politicized notion of the public, one that exposed the inability of the government to accommodate the demands of French citizens.…