Isbn: 9780801443626 - the hummingbird cabinet: a rare and curious history of romantic collectors (10 Ergebnisse)

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. Crisp, clean pages; no owners' marks; square, tight binding; hard cover shows only some softening at spine head and light corner wear. Jacket shows several short wrinkles along the left rear edge and shallow crimping at the spine head, otherwise excellent.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780801443626. …

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780801443626. …

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Hardcover. Zustand: Brand New. illustrated edition. 240 pages. 8.25x7.25x1.25 inches. In Stock.

Hardcover. Zustand: Brand New. illustrated edition. 240 pages. 8.25x7.25x1.25 inches. In Stock.

Zustand: New. Num Pages: 240 pages, 26. BIC Classification: DSBF; DSC; HBJD1; HBLL; HBTB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College); (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 211 x 184 x 25. Weight in Grams: 576. . 2005. Hardback. . . . . Books ship from the US and Ireland. …

Zustand: New. This book is. a romantic history of romantic collecting. It takes seriously, and by necessity shares, the tendency of romantic histories to dwell upon their own fragmentariness, on the impossibility of capturing an intact history. It.Klappen.

Buch. Zustand: Neu. Neuware - She links the collecting craze during the romantic era with the subsequent fetishization of romantic poets and their possessions, revealing the extent to which an ongoing fascination with material objects - with Keats's hair and Shelley's guitar, for example - helped to produce an enduring image of these poets as spiritual emissaries of a less materialistic age. In language both witty and idiosyncratic, Pascoe makes the case that the romantic period stands out as a distinct moment in collecting history, a transition between the flourishing of the Renaissance wonder cabinet and the rise of the Victorian museum.…