Isbn: 9780792306276 - ingardeniana ii: new studies in the philosophy of roman ingarden with a new international ingarden bibliography (analecta husserliana, 30, band 30) (8 Ergebnisse)

Couverture rigide. Zustand: Très bon. Jaquette. INGARDEN - [RUDNICK (H. H.) ed.].Ingardeniana II.New Studies in the Philosophy or Roman Ingarden. With a New International Ingarden Bibliography.Dordrecht - Boston - London, 1990, in-8°, cart. pl. toile ss. jaq. 650 gr.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Sehr Gut. Zustandsbeschreibung: Mängelexemplar/defective copy. With a New International Ingarden Bibliography. Edited by Hans H. Rudnick. Published unter the auspices of The World Institute for Advanced Phenomenological Research and Learning, A.-T. Tymieniecka, President. - Supplemented by an International Ingarden Bibliography, this volume comprises 15 articles (one french, one german), divided into four main chapters: I. Tymieniecka and the Philosophy of Roman Ingarden; II. Ingarden and Literary Theory; III. The Applicability of Ingarden?s Theory; IV. Ingarden and the Nature of the Literary Work of Art. - Contents: Anna-Teresa Tymieniecka: Roman Ingarden?s Philosophical Legacy and My Departure from It: The Creative Freedom of the Possible Worlds. - Jadwida S. Smith: A New Phenomenology: Anna-Teresa Tymieniecka?s Departure from Husserl and Ingarden. - Knut Hanneborg: Husserl, Ingarden, and Tymieniecka. -- Jozef Sivak: Reduction phénoménologique et intuition: A propos du rapport Husserl-Ingarden. - Nadia Delle Site: The Aesthetic Theory of Ingarden and Its Philosophical Implications. - Zhang Jin-Yan: The New Criticism and Ingardens Phenomenological Theory of Literature. - Gerald Nyenhuis: Roman Ingardens Contribution to the Reading and Analysis of the Literary Text. -- Walter Biemel: Kritische Bemerkungen zu Ingardens Deutung des Bildes. - Eugene F. Kaelin: The Debate Over Stratification Within Aesthetic Objects. - You Zheng Li: Ingarden?s "Strata-Layers" Theory and the Structural Analysis of the Ancient Chinese Kunqu Opera. - Joseph P. Strelka: Ingarden's "Points of Indeterminateness": A Consideration of Their Practical Application to Literary Criticism. - Hans H. Rudnick: Roman Ingarden and the Venus of Milo. -- Jan Wolenski: The Verifiability Principle: Variations on Ingarden?s Criticism. - Wlodzimierz Galewicz: The Aesthetic Object and the Work of Art: Reflections on Ingarden?s Theory of Aesthetic Judgment. - Janina Makota: Roman Ingarden?s Idea of Relatively Isolated Systems. -- Hans H. Rudnick/Jolanta W. Wawrzycka: Roman Ingarden, An International Bibliography (1915-1989). -- This Ingardenia volume is the second in the Analecta Husserliana series that is entirely devoted to the phenomenology of Roman Ingarden. The first was volume IV (1976). Twenty years after Ingarden's death, this volume demonstrates that the Polish phenomenologist's contribution to philosophy and literary scholarship has received world-wide attention. His ideas have proven especially fruitful for the definition of the structure of the literary work of art and the subsequent recognition of its characteristic features. Of all the early phenomenologists who were students of Husserl, it is Ingarden whose work has faithfully pursued the original tenet that language "holds" the essence of the life-world "in readiness". To investigate this premise with the rigor of a science, as Husserl had envisioned for phenomenology, was Ingarden's life work. That Ingarden did not quite reach his ambitious goal does not diminish his unquestionable achievement. The understanding of the nature of the literary work of art has increased enormously because of his analyses and aesthetics. The Polish phenomenologist investigated above all the work of art as a structure of necessary components which define and determine its nature. That the artistic ingredient was shortchanged under those conditions should not be surprising, particularly since Ingarden usually kept a purist's philosophical distance from the concrete detail of the material under consideration. He was not concerned with individual works of art but with the principle that was shared by all of them as the defining feature of their being. XVII,302 Seiten, gebunden (Analecta Husserliana. The Yearbook of Phenomenological Research; Vol. 30/Kluwer Academic Publishers 1990). Statt EUR 160,49. Gewicht: 653 g - Gebunden/Gebundene Ausgabe.…

Pp. Zustand: Befriedigend. XVI, 299 S. : Ill. gutes exBibliotheksexemplar mit den üblichen Stempeln/Signaturen, Kanten gering bestossen, Kerbe an Seitenschnitt /// Standort Wimregal HFT-02.247 ISBN 0792306279 WITHIN THE EU: shipping only to GERMANY and AUSTRIA due to the new EPR regulations. Sprache: Englisch Gewicht in Gramm: 634. …

Zustand: New. In English.

Zustand: gut. 1990. Ingardeniana II - New Studies in the Philosophy of Roman Ingarden In englischer Sprache. pages.

Zustand: New. Editor(s): Rudnick, Hans H. Series: Analecta Husserliana. Num Pages: 320 pages, biography. BIC Classification: HPCF3. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 234 x 156 x 19. Weight in Grams: 631. . 1990. Hardback. . . . . Books ship from the US and Ireland.…

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This Ingardenia volume is the second in the Analecta Husserliana series that is entirely devoted to the phenomenology of Roman Ingarden. The first was volume IV (1976). Twenty years after Ingarden's death, this volume demonstrates that the Polish phenomenologist's contribution to philosophy and literary scholarship has received world-wide attention. His ideas have proven especially fruitful for the definition of the structure of the literary work of art and the subsequent recognition of its characteristic features. Of all the early phenomenologists who were students of Husserl, it is Ingarden whose work has faithfully pursued the original tenet that language 'holds' the essence of the life-world 'in readiness' (bereit halten). To investigate this premise with the rigor of a science, as Husserl had envisioned for phenomenology, was Ingarden's life work. That Ingarden did not quite reach his ambitious goal does not diminish his unquestionable achievement. The understanding of the nature of the literary work of art has increased enormously because of his analyses and aesthetics. The Polish phenomenologist investigated above all the work of art as a structure of necessary components which define and determine its nature. That the artistic ingredient was shortchanged under those conditions should not be surprising, particu larly since Ingarden usually kept a purist's philosophical distance from the concrete detail of the material under consideration. He was not concerned with individual works of art but with the principle that was shared by all of them as the defining feature of their being.…