Sprache: Englisch
Verlag: State University of New York Press, 1997
ISBN 10: 0791435261 ISBN 13: 9780791435267
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: State Univ of New York Pr, 1997
ISBN 10: 0791435261 ISBN 13: 9780791435267
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 58,59
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 384 pages. 9.25x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: State University of New York Press, 1997
ISBN 10: 0791435261 ISBN 13: 9780791435267
Anbieter: Buchpark, Trebbin, Deutschland
Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 316 | Sprache: Englisch | Produktart: Bücher | The Endless Text is the first study to trace the history of chivalric fiction in Western Europe, from the earliest Celtic tales to the conflict between romance and realism in Don Quixote. A set of specific rhetorical devices are traced through the development of medieval romance in the works of Chretien de Troyes, and a surprising number of these devices survive in Don Quixote: the troubled relationship between narrator and hero, the consistent image of the hero in contrast to the fluctuating portrayals of women, and how problems of retelling the story became part of the story itself.An integral part of this rhetorical migration was the unstable referential value of the lexicon: for example, fish platters became holy chalices, and gods became heroes while goddess and Otherworld women became evil enchantresses. It was this linguistic revolution that created the "hermeneutics of romance" and forced readers to interpret the unstable signs embedded in the text. Fear of how this played out in the reader's consciousness was the basis for the condemnation of romance by church and state. Ultimately, this critical approach provides a new formula for rereading Don Quixote, one that reinterprets the questions of what makes or unmakes a hero, what is free will in relation to destiny, and how the language of women differs from that of men.