ISBN: 9780791405277 - seeing films politically (radical social & political theory) (13 Ergebnisse)

Paperback. Zustand: Good. First Edition. Light general wear. May have light notes/highlighting. shelf wear. bumped edges. worn cover Paperback.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, and may have sticker on cover, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0791405273.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. In this bold political rethinking of contemporary film theory, Zavarzadeh overturns the dominant concepts that fetishize film as a work of art or simple entertainment. He demonstrates how aesthetic notions obscure the ideological effects produced by viewing films, particularly the production of the spectator as the subject of social class. Seeing films, he argues, is part of the political struggle over cultural intelligibilities, subjectivities, and representations. One of the book's analytical innovations is its concept of renarrating: a reading strategy that displays the logic of the film, showing that it is not so much a unique aesthetic articulation as it is the common logic of the dominant ideology. In a series of brilliant readings of recent films, the book constructs a critical space for the reader to not only see the culturally visible tale of the film-the one that legitimates the existing reality, the status quo-but also to see the other, suppressed tale that (de)narrates the social contradictions arising from exploitation and class rule. …

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. 267 pages. 9.00x6.00x0.75 inches. In Stock.

Zustand: New.

Paperback. Zustand: new. Paperback. In this bold political rethinking of contemporary film theory, Zavarzadeh overturns the dominant concepts that fetishize film as a work of art or simple entertainment. He demonstrates how aesthetic notions obscure the ideological effects produced by viewing films, particularly the production of the spectator as the subject of social class. Seeing films, he argues, is part of the political struggle over cultural intelligibilities, subjectivities, and representations. One of the book's analytical innovations is its concept of renarrating: a reading strategy that displays the logic of the film, showing that it is not so much a unique aesthetic articulation as it is the common logic of the dominant ideology. In a series of brilliant readings of recent films, the book constructs a critical space for the reader to not only see the culturally visible tale of the film-the one that legitimates the existing reality, the status quo-but also to see the other, suppressed tale that (de)narrates the social contradictions arising from exploitation and class rule. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Zustand: New. In this bold political rethinking of contemporary film theory, Zavarzadeh overturns the dominant concepts that fetishize film as a work of art or simple entertainment. He demonstrates how aesthetic notions obscure the ideological effects produced by viewing films, particularly the production of the spectator as the subject of social class. Seeing films, he argues, is part of the political struggle over cultural intelligibilities, subjectivities, and representations. One of the book's analytical innovations is its concept of renarrating: a reading strategy that displays the logic of the film, showing that it is not so much a unique aesthetic articulation as it is the common logic of the dominant ideology. In a series of brilliant readings of recent films, the book constructs a critical space for the reader to not only see the culturally visible tale of the film-the one that legitimates the existing reality, the status quo-but also to see the other, suppressed tale that (de)narrates the social contradictions arising from exploitation and class rule. …