ISBN: 9780786495016 - giallo cinema and its folktale roots: a critical study of 10 films, 1962-1987 (8 Ergebnisse)

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  • Sprache: Englisch

    Verlag: McFarland and Co Inc, US, 2016

    0786495014 / 9780786495016

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    Paperback. Zustand: New. The Italian giallo film genre--the equivalent of the American whodunit but incorporating extreme violence and sex--was based on popular British and American fiction of the 30s and 40s, adapted to the explicitly liberal filmmaking of 1970s and 1980s Europe. Seldom released in American theaters, these films were usually distributed as redacted bootlegs, awaiting digital technology to be restored to their original content and pristine visual form. This book analyzes the censored sex and violence of giallo films, finding in them an inherent beauty and tracing their literary antecedents to the elements of the fairy tale as described by Russian folklorist Vladimir Propp. Each chapter covers a film and its director, from 1962 to 1987. The author argues that despite their formulaic production and designation as "Euro-sleaze," these films are works of individuality and artistic virtue.…

  • Sprache: Englisch

    Verlag: McFarland and Company, 2016

    0786495014 / 9780786495016

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  • Sprache: Englisch

    Verlag: McFarland and Company, 2016

    0786495014 / 9780786495016

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  • Sprache: Englisch

    Verlag: McFarland & Company, 2016

    0786495014 / 9780786495016

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  • Sprache: Englisch

    Verlag: McFarland & Company, 2016

    0786495014 / 9780786495016

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    Zustand: As New. Unread book in perfect condition.

  • Sprache: Englisch

    Verlag: McFarland Publishing, 2016

    0786495014 / 9780786495016

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    Paperback. Zustand: Brand New. 231 pages. 9.25x6.00x0.75 inches. In Stock.

  • Sprache: Englisch

    Verlag: McFarland & Co Inc, Jefferson, NC, 2016

    0786495014 / 9780786495016

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    Paperback. Zustand: new. Paperback. The Italian giallo film genre--the equivalent of the American whodunit but incorporating extreme violence and sex--was based on popular British and American fiction of the 30s and 40s, adapted to the explicitly liberal filmmaking of 1970s and 1980s Europe. Seldom released in American theaters, these films were usually distributed as redacted bootlegs, awaiting digital technology to be restored to their original content and pristine visual form. This book analyzes the censored sex and violence of giallo films, finding in them an inherent beauty and tracing their literary antecedents to the elements of the fairy tale as described by Russian folklorist Vladimir Propp. Each chapter covers a film and its director, from 1962 to 1987. The author argues that despite their formulaic production and designation as "Euro-sleaze," these films are works of individuality and artistic virtue. The Italian giallo film genre was based on popular British and American fiction of the 30s and 40s, adapted to the explicitly liberal filmmaking of 1970s and 1980s Europe. This book analyses the censored sex and violence of giallo films, finding in them an inherent beauty and tracing their literary antecedents to the elements of the fairy tale as described by Russian folklorist Vladimir Propp. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

  • Sprache: Englisch

    Verlag: McFarland and Co Inc, US, 2016

    0786495014 / 9780786495016

    • Softcover

    Anbieter: Rarewaves.com UK, London, Vereinigtes KönigreichRarewaves.com UK

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    Paperback. Zustand: New. The Italian giallo film genre--the equivalent of the American whodunit but incorporating extreme violence and sex--was based on popular British and American fiction of the 30s and 40s, adapted to the explicitly liberal filmmaking of 1970s and 1980s Europe. Seldom released in American theaters, these films were usually distributed as redacted bootlegs, awaiting digital technology to be restored to their original content and pristine visual form. This book analyzes the censored sex and violence of giallo films, finding in them an inherent beauty and tracing their literary antecedents to the elements of the fairy tale as described by Russian folklorist Vladimir Propp. Each chapter covers a film and its director, from 1962 to 1987. The author argues that despite their formulaic production and designation as "Euro-sleaze," these films are works of individuality and artistic virtue.…