9780754655855 - shakespeare and the cultures of performance (studies in performance and early modern drama) von badir, patricia (6 Ergebnisse)
- Hardcover
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780754655855.
- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Zustand: New. In.
- Hardcover
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EUR 240,09
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Gebunden. Zustand: New. Paul Yachnin is Tomlinson Professor of Shakespeare Studies at McGill University, Canada. Patricia Badir is Associate Professor of English at the University of British Columbia, Canada.Theatrical performance, suggest the contributors to this volume, .
- Hardcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 319,02
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Zustand: New. Featuring chapters dealing with Shakespeare and performance culture in modernity, this collection intends to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in soc…ial terms. Editor(s): Yachnin, Paul; Badir, Patricia. Series Editor(s): Ostovich, Dr. Helen. Series: Studies in Performance and Early Modern Drama. Num Pages: 224 pages, Includes 10 b&w illustrations. BIC Classification: 2AB; AN; DSGS. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156. Weight in Grams: 544. . 2008. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 321,83
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Hardcover. Zustand: Brand New. 210 pages. 9.25x6.25x0.75 inches. In Stock.
- Hardcover
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Buch. Zustand: Neu. Neuware - Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal, institutional or cultural event. The essays collected here use the tools of theatre history in their investigation into the phenomenology of the performance experien…ce, yet they are also careful to consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. Thus contributors combine a formalist interest in the affective and aesthetic dimensions of language and spectacle with an investment in the material cultures that both produced and received Shakespeare's plays. Six of the chapters focus on early modern cultures of performance, looking specifically at such topics as the performance of rusticity; the culture of credit; contract and performance; the cultivation of Englishness; religious ritual; and mourning and memory. Building upon and interrelating with the preceding essays, the last three chapters deal with Shakespeare and performance culture in modernity. They focus on themes including literary and theatrical performance anxiety; cultural iconicity; and the performance of Shakespearean lateness. This collection strives to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms.
