9780754638728 - britten, voice and piano: lectures on the vocal music of benjamin britten (guildhall research studies) von johnson, graham (9 Ergebnisse)

- Softcover
Anbieter: Anybook.com, Lincoln, Vereinigtes KönigreichAnybook.com
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:9780754638728.
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Anbieter: ROBIN SUMMERS BOOKS LTD, Aldeburgh, Vereinigtes KönigreichROBIN SUMMERS BOOKS LTD
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Zustand: Fine. First edition. Paperback. Large octavo. x, 270pp. Original illustrated paperback. Light edge wear, otherwise near fine. With 2 CDs in rear pocket.
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Anbieter: ROBIN SUMMERS BOOKS LTD, Aldeburgh, Vereinigtes KönigreichROBIN SUMMERS BOOKS LTD
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Zustand: Very Good. First edition. Paperback. Large octavo. x, 270pp. Original illustrated paperback. A near fine, unread copy. Includes CDs.

- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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EUR 94,55
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Zustand: New. In.

- Softcover
- Erstausgabe
Anbieter: MW Books, New York, NY, USAMW Books
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1st edition. Signed by previous owner. Very good paperback copy, including two CDs; cover slightly creased and dulled as with age. Bright and clean internally. Remains quite well-preserved overall. Physical description: 270 pages : illustrations ; 25 cm + 2 audio discs (digital ; 4 3/4 in.). Contents: Young Britten 1913-35 -- Br…itten abroad: Italy, Poland, France and Germany -- British folksong settings -- Miscellany of folksongs -- Britten the Elizabethan, Britten and the Baroque -- Beginnings (Auden) and ends (Eliot) -- Britten and Russia -- Britten and the English Landscape.CD contents : CD 1. Poison tree : first version -- From Tit for tat : Song of enchantment -- From Friday afternoons : New Year carol ; I mun be married on Sunday -- Lift-boy -- From Seven sonnets of Michelangelo : Si come nella panna ; Veggio co'bei ; Tu sa' ch'io so ; Rendete a gli occhi miei ; Spirto ben nato -- Introduction and rondo alla burlesca -- From Folksong arrangements, vol. 1 : Bonny Earl o'Moray ; O can ye sew cushions? Oliver Cromwell -- From Folksong arrangements, vol. 3 : Miller of Dee -- From Folksong arrangements, vol. 5 : Ca' the yowes ; Lincolnshire poacher -- From Moore's Irish melodies : How sweet the answer ; Last rose of summer -- From Folksongs with guitar : Sailor-boy ; Soldier and the sailor ; Shooting of his dear -- From Folksongs, posthumously published : Tom Bowling ; Soldier, won't you marry me?CD contents : CD 2. From Lachrymae : reflections on a song of John Dowland : Lento ; Allegretto molto comodo ; Animato ; Tranquillo -- From Cantle I, My beloved is mine : He is my altar -- From The holy sonnets of John Donne : Oh my blacke soule ; Batter my heart ; O might those sighes and teares -- From On this island : As it is, plenty -- To lie flat on the back -- When you're feeling like expressing your affection -- Canticle IV, The journeyof the Magi -- Underneath the abject willow -- From Cabaret songs : Calypso -- Third suite for cello -- From Canticle III, Still falls the rain : At the feet of the hunted hard -- From Winter words : Little old table -- From Canticle II, Abraham and Isaac : Abraham, I must thee kill! Subject: Britten, Benjamin 1913-1976. Vocal music. Vocal music England 20th century Analysis, appreciation. Composers England ; Biography. 1 Kg.

- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Paperback. Zustand: Brand New. paperback/cd-rom edition. 280 pages. 9.50x7.25x1.00 inches. In Stock.

- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 126,84
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Zustand: New. This collection of eight "lectures" by pianist, Graham Johnson, is based on a series of concert talks given at the Guildhall School of Music and Drama as part of the Benjamin Britten festival in 2001. The focus of the book is on Britten's songs, starting with his earliest compositions in the genre. Series Editor(s)…: Odam, Professor George. Series: Guildhall Research Studies. Num Pages: 280 pages, Includes 35 b&w illustrations, 1 music example and 2 CD recordings. BIC Classification: AVGC6; AVH; AVRJ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 245 x 189 x 21. Weight in Grams: 724. . 2003. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
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EUR 92,61
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Kartoniert / Broschiert. Zustand: New. Graham Johnson, edited by George OdamThis collection of eight lectures by internationally acclaimed pianist, Graham Johnson, is based on a series of concert talks given at the Guildhall School of Music and Drama as part of the Benjamin Brit.

- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 125,00
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Taschenbuch. Zustand: Neu. Neuware - This collection of eight 'lectures' by internationally acclaimed pianist, Graham Johnson, is based on a series of concert talks given at the Guildhall School of Music and Drama as part of the Benjamin Britten festival in 2001. The focus of the book is on Britten's songs, starting with his ear…liest compositions in the genre. Graham Johnson suggests that the nature of Britten's creativity is especially apparent in his setting of poetry, that he becomes the poet's alter-ego. A chapter on Britten's settings of Auden and Eliot explores the particular influences these writers brought to bear at opposite poles of the composer's life. The inspiration of fellow musicians is also discussed, with a chapter devoted to Britten's time in Russia and his friendship with the Rostropovitch family. Closer to home, the book places in context Britten's folksong settings, illustrating how he subverted the English folksong tradition by refusing to accept previous definitions of what constituted national loyalty. Drawing on letters and diaries, and featuring a number of previously unpublished photographs, this book illuminates aspects of Britten's songs from the personal perspective of the pianist who worked closely with Peter Pears after Benjamin Britten was unable to perform through illness. Johnson worked with Pears on learning the role of Aschenbach in 'Death in Venice' and was official pianist for the first master class given by Peter Pears at Snape in 1972.