Ashgate popular and folk music - 9780754636588 - european film music (ashgate popular and folk music) von burnand, david (5 Ergebnisse)
Sprache: Englisch
Verlag: Routledge, 2006
- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Zustand: New. In.
Sprache: Englisch
Verlag: Taylor & Francis, 2006
- Hardcover
Anbieter: moluna, Greven, Deutschlandmoluna
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Gebunden. Zustand: New. Miguel Mera is Lecturer in the Centre for the Study of Composition for Screen at the Royal College of Music, UK. David Burnand is Head of Music Technology and Head of the Centre for the Study of Composition for Screen at the Royal College of Music, UK.M.
Sprache: Englisch
Verlag: Ashgate Pub Co, 2006
- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Hardcover. Zustand: Brand New. illustrated edition edition. 206 pages. 6.50x9.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Taylor & Francis Ltd (Sales) Sep 2006, 2006
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Buch. Zustand: Neu. Neuware - The vast majority of writing on film music is concentrated on Hollywood in particular and on a canon of North American scores and films more generally. Recent scholarship acknowledges other traditions of film scoring but little has been written about European film music specifically. Miguel Mera and… David Burnand present a volume that redresses the balance by exploring specific European filmic texts, composers and approaches to film scoring that have hitherto been neglected. Films involving British, French, German, Greek, Irish, Italian, Polish and Spanish composers are considered in detail. Starting from a study of the influence of propaganda on musical aesthetics in Nazi Germany the book includes an analysis of Italian neo-realist cinema, a consideration of the Ealing Comedies, experimental music in contemporary Spanish scoring, the invocation of traditional music, the portrayal of classical music performers, the use of space, silence and manipulation of time, and the depiction of the processes of scoring in independent film-making. Important issues that permeate all the essays involve the working relationship of composer and director, the dialectic between the diegetic and non-diegetic uses of music in films, the music-image synergism and the levels of realism that are created by the audio-visual mix. The book will appeal to those working in film studies, popular music studies, musicology, media studies and cultural theory.
Sprache: Englisch
Verlag: Routledge, 2006
- Hardcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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Zustand: New. Exploring specific European filmic texts, composers, and approaches to film scoring, this book includes an analysis of Italian neo-realist cinema, Ealing Comedies, experimental music in Spanish scoring, the invocation of traditional music, the portrayal of classical music performers, the use of space, and silence a…nd manipulation of time. Editor(s): Mera, Miguel. Series Editor(s): Scott, Professor Derek B.; Burns, Professor Lori; Hawkins, Professor Stan. Series: Ashgate Popular and Folk Music Series. Num Pages: 224 pages, Includes 2 b&w illustrations and 9 music examples. BIC Classification: 1D; APF; AVGC6. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156. Weight in Grams: 480. . 2006. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
