Sprache: Englisch
Verlag: Edinburgh University Press, 2014
ISBN 10: 0748685960 ISBN 13: 9780748685967
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 35,08
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Edinburgh University Press, 2014
ISBN 10: 0748685960 ISBN 13: 9780748685967
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 37,57
Anzahl: 3 verfügbar
In den WarenkorbZustand: New. pp. 176.
Sprache: Englisch
Verlag: Edinburgh University Press, 2014
ISBN 10: 0748685960 ISBN 13: 9780748685967
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Addresses the socio-political context informing both queer DIY video and independent gay cinema, including films such as Patrice Chereau's Ceux qui m'aiment prendront le train, Olivier Ducastel and Jacques Martineau's Drole de Felix, Francois Ozon's Le Temps qui reste and Andre Techine's Les Temoins. Num Pages: 176 pages. BIC Classification: 1DDF; APFN; JFSK. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 159 x 232 x 10. Weight in Grams: 268. . 2014. Reprint. Paperback. . . . . Books ship from the US and Ireland.
EUR 62,06
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In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 167 pages. 9.25x6.25x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Edinburgh University Press, 2014
ISBN 10: 0748685960 ISBN 13: 9780748685967
Anbieter: moluna, Greven, Deutschland
EUR 41,01
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. Addresses the socio-political context informing both queer DIY video and independent gay cinema, including films such as Patrice Chereau s Ceux qui m aiment prendront le train, Olivier Ducastel and Jacques Martineau s Drole de Felix, Francois Ozon s Le Temp.
Sprache: Englisch
Verlag: Edinburgh University Press Mär 2014, 2014
ISBN 10: 0748685960 ISBN 13: 9780748685967
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - French Queer Cinema examines the representation of queer identities and sexualities in contemporary French filmmaking. This groundbreaking volume is the first comprehensive study of the cultural formation and critical reception of contemporary queer film and video in France. French Queer Cinema addresses the emergence of a gay cinema in the French context since the late 1990s, including critical coverage of films by important contemporary directors such as François Ozon, Sébastien Lifshitz, Patrice Chéreau, André Téchiné and Christophe Honoré. Nick Rees-Roberts transposes contemporary Anglo-American Queer Theory to the study of French screen culture, drawing particular attention to issues of race and migration such as problematic fantasies of Arab masculinities in queer cinematic production. This theoretically-informed book engages with a number of fault-lines running through queer cultural representation in France including transgender dissent and the effects of AIDS and loss on the formation of queer identities and sexualities.Key Features\*Provides a full, up-to-date account of the formation, reception and setting for contemporary queer film and video in France.\*Situates cinematic representations of migration, social exclusion and queer sexualities in the context of recent repressive legislation on sex work and immigration.\*Covers the work of less well-known directors such as Christophe Honoré, Sébastien Lifshitz and Gaël Morel.