9780748670499 - inventions of the skin: the painted body in early english drama: the painted body in early english drama 1400-1642 (edinburgh critical studies in renaissance culture) von stevens, andrea (4 Ergebnisse)
Sprache: Englisch
Verlag: Edinburgh University Press, 2013
Serie: Buch 13 von 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Edinburgh Univ Pr, 2013
Serie: Buch 13 von 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Hardcover. Zustand: Brand New. 1st edition. 232 pages. 9.50x6.50x0.50 inches. In Stock.
Sprache: Englisch
Verlag: EDINBURGH UNIV PR, 2013
Serie: Buch 13 von 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
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Zustand: New. Examines the painted body of the actor on the early modern stage. This book focuses on the significance of turning healthy players into bloodied bodies, white players into Africans, and living players into gods, ghosts, statues and corpses.Über.
Sprache: Englisch
Verlag: Edinburgh University Press Jun 2013, 2013
Serie: Buch 13 von 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Buch. Zustand: Neu. Neuware - Examines the painted body of the actor on the early modern stageInventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and…divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and 'stoniness' in Thomas Middleton's The Second Maiden's Tragedy and Shakespeare's The Winter's Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters-not just the words written for them to speak-forms an important and overlooked aspect of stage representation.
