Sprache: Englisch
Verlag: Northcote House Publishers, 2011
ISBN 10: 0746310021 ISBN 13: 9780746310021
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 15,49
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9780746310021.
Sprache: Englisch
Verlag: Liverpool University Press, 2011
ISBN 10: 0746310021 ISBN 13: 9780746310021
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 19,64
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Northcote House Publishers Ltd, 2011
ISBN 10: 0746310021 ISBN 13: 9780746310021
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 51,84
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 128 pages. 8.75x5.75x0.50 inches. In Stock.
EUR 26,58
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. Über den AutorAndrew Thacker is Professor of Twentieth Century Literature at De Montfort University, Leicester, UK. He has taught previously at the University of Wolverhampton and the University of Ulster. Previous Publications incl.
Sprache: Englisch
Verlag: Liverpool University Press Feb 2011, 2011
ISBN 10: 0746310021 ISBN 13: 9780746310021
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - This book offers a lively account of the Imagist Poets, the first significant group of modernist poets writing in English. It discusses what their writing achieved, and analyses the theoretical claims of Imagism in relation to its poetic practice. It revises the received view of Imagism by drawing upon current re-readings of modernism in terms of gender and sexuality, cultural geography, and the idea of literary institutions and formations. The book shows the variety of practice within the Imagist group, and shifts the focus from seeing Imagism purely as the creation of Ezra Pound, by granting a much stronger focus to often overlooked figures such as Amy Lowell, F.S. Flint and John Gould Fletcher. The book also examines the cultural formation of Imagism as a movement competing within the artistic avant-garde of London in the early twentieth century.