Sprache: Englisch
Verlag: Bloomsbury Publishing Plc, 2006
ISBN 10: 0715635581 ISBN 13: 9780715635582
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Gerald Duckworth & Company, 2006
ISBN 10: 0715635581 ISBN 13: 9780715635582
Anbieter: Books From California, Simi Valley, CA, USA
Paperback. Zustand: Good.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 39,43
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 58,99
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. new title edition. 160 pages. 9.00x5.75x0.50 inches. In Stock.
Zustand: New.
EUR 45,17
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. We attribute a tragic quality to many things - works, experiences, values, events - but we forget how modern this idea is. This book traces the rise of the tragic idea from early Romanticism to late Modernism. It maps one of the most absorbing philosophical.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC Jun 2006, 2006
ISBN 10: 0715635581 ISBN 13: 9780715635582
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Today we attribute a tragic quality to many things - works, experiences, values, events - but we forget how modern this idea is. This book traces the rise of the tragic idea from early Romanticism to late Modernism. Focusing on succinct, major statements, it maps one of the most absorbing philosophical conversations in modernity: the debate about the tragic meaning of life. This conversation has crossed geographical, linguistic, ideological and religious borders to bring thinkers together in an inquiry into the inner contradictions of liberty. While originally the tragic idea stood for the conflict of freedom and necessity, it gradually absorbed other irreconcilable dialectical collisions. It turned tragedy from a genre into a problem for ethics, aesthetics, criticism, classics, politics, anthropology and psychology, to name but a few. Scholars in these fields today will be fascinated to find human responsibility caught in the tragic web of modern dilemmas. Classicists in particular will be intrigued by the story of how, over the last two centuries, tragedy has acquired a second, parallel life away from the stage.