ISBN: 9780714848891 - ai weiwei (phaidon contemporary artists series, band 0) (26 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: As New. U.S. orders are shipped from N.Y. state.

Soft cover. Zustand: .Fine. 2011 reprint Fine copy. No additions.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9780714848891.…

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Later printing. Softcover. 158 pages. A then comprehensive monograph on this important Chinese artist and activist. Features the text of a conversation between Hans Ulrich Obrist and Weiwei along with contributions by him, Karen Smith, and Bernard Fibicher. Includes numerous illustrations, a chronology and bibliography. A clean very near fine copy in wrappers and in a very near fine dust jacket.…

Soft cover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Softcover With Dj. Copiously Illustrated In Colour And B/W. 4to.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: new.

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: New. pp. 160 Illus. (Col.).

Paperback. Zustand: New. Ai Weiwei (b. 1957) is truly an artist for the twenty-first century. In his sculptures he refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive outdoor sculpture. As much as these materials look to the past, they also speak of the present, because never before (and probably never again) have they been available in such abundance. Like his benches carved from centuries-old temple beams, Template is a sly commentary on the speed with which China's building boom is obliterating its past. (When Template collapsed in a rainstorm two weeks after its unveiling at Documenta 12, the artist embraced its demise as a clever artistic twist.) In China today, making art that's critical of current cultural and economic policies is not a particularly safe career move. But Ai's father, the poet Ai Qing, walked a similar path, absorbing European avant-garde styles while studying in 1930s Paris and later standing by them in the face of Communist opposition, a move that eventually led to his exile to the distant provincial town where his son Weiwei came to be born and raised. In the late 1970s Ai Weiwei moved to Beijing, banding together with other pro-democracy artists in a loose collective known as the Stars Group. In 1981, following government retaliation against one of their exhibitions, Ai moved to New York, where he attended art school and lived the life of the bohemian for twelve years, his East Village apartment serving as a base for countless visiting Chinese artists. When his father became ill in 1993 Ai returned to China, settling in Beijing and finally taking up his art career in earnest. Weiwei's artistic forebears belong primarily to the Western modernist avant-garde (Duchamp and Beuys are particularly relevant). But Ai has equally and increasingly been influenced by modernist architecture and contemporary urban planning, citing the need for an ideal for living in a country where runaway economic development has shown little regard for the everyday life of the individual. In stark contrast to the glass-and-steel high-rises going up around Beijing, the art galleries, ateliers and homes Ai designs are boxy and modest, made from brick and other vernacular materials. Their resolution of Eastern and Western styles is a fitting parallel to his antique readymade sculptures. At a time when the West is finally discovering Chinese contemporary art, Ai is one of the few to have transcended the label 'Chinese artist'. In part thanks to his gallery Urs Meile (Lucerne and Beijing), Ai has won the support of strong European collectors. His work is increasingly being shown at major venues around the world (Kunsthalle Bern, Kunsthaus Graz, Tate Liverpool) and included in major international exhibitions (the Moscow Biennial, the Guangzhou Triennale, Documenta). A complex, multi-faceted artist, Ai is.…

Zustand: New.

Zustand: Très bon état. in-4, broché, jaquette en couleurs, 158 pp., nombreuses reproductions en noir et en couleurs. Articles de Karen Smith, Hans Ulrich Obrist, Bernard Fibicher. Edition anglaise. Très bon état.

Paperback. Zustand: Brand New. 158 pages. 11.25x9.75x0.75 inches. In Stock.

SOFTCOVER. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition, 3rd Printing. Large heavy 4to. in colour printed stiff glossy card covers with matching colour printed dust jacket, 158pp on thick art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy in a NEW complete Dust Jacket ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Zustand: New. 2009. F First Edition. Paperback. The first monograph on the key figure in Chinese fast-growing art scene. Editor(s): Ai, Qing; Ai, Weiwei. Series: Contemporary Artists Series. Num Pages: 160 pages, 200 col. BIC Classification: ACXJ; AGB. Category: (G) General (US: Trade). Dimension: 285 x 252 x 17. Weight in Grams: 1078. . . . . . …

Zustand: New. pp. 160.

Paperback. Zustand: new. Paperback. Ai Weiwei (b. 1957) is truly an artist for the twenty-first century. In his sculptures he refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive outdoor sculpture. As much as these materials look to the past, they also speak of the present, because never before (and probably never again) have they been available in such abundance. Like his benches carved from centuries-old temple beams, Template is a sly commentary on the speed with which China's building boom is obliterating its past. (When Template collapsed in a rainstorm two weeks after its unveiling at Documenta 12, the artist embraced its demise as a clever artistic twist.)In China today, making art that's critical of current cultural and economic policies is not a particularly safe career move. But Ai's father, the poet Ai Qing, walked a similar path, absorbing European avant-garde styles while studying in 1930s Paris and later standing by them in the face of Communist opposition, a move that eventually led to his exile to the distant provincial town where his son Weiwei came to be born and raised. In the late 1970s Ai Weiwei moved to Beijing, banding together with other pro-democracy artists in a loose collective known as the Stars Group. In 1981, following government retaliation against one of their exhibitions, Ai moved to New York, where he attended art school and lived the life of the bohemian for twelve years, his East Village apartment serving as a base for countless visiting Chinese artists. When his father became ill in 1993 Ai returned to China, settling in Beijing and finally taking up his art career in earnest.Weiwei's artistic forebears belong primarily to the Western modernist avant-garde (Duchamp and Beuys are particularly relevant). But Ai has equally and increasingly been influenced by modernist architecture and contemporary urban planning, citing the need for an ideal for living in a country where runaway economic development has shown little regard for the everyday life of the individual. In stark contrast to the glass-and-steel high-rises going up around Beijing, the art galleries, ateliers and homes Ai designs are boxy and modest, made from brick and other vernacular materials. Their resolution of Eastern and Western styles is a fitting parallel to his antique readymade sculptures.What truly marks out Ai as a twenty-first century artist is the multiplicity of his roles: not just artist, designer and architect but also curator, publisher, web blogger and compass for an entire generation of Beijing artists. He has been described more than once as the Chinese Warhol, overse The first monograph on the key figure in Chinese fast-growing art scene. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Zustand: New. 2009. F First Edition. Paperback. The first monograph on the key figure in Chinese fast-growing art scene. Editor(s): Ai, Qing; Ai, Weiwei. Series: Contemporary Artists Series. Num Pages: 160 pages, 200 col. BIC Classification: ACXJ; AGB. Category: (G) General (US: Trade). Dimension: 285 x 252 x 17. Weight in Grams: 1078. . . . . . Books ship from the US and Ireland. …

Zustand: Very Good.

Kartoniert / Broschiert. Zustand: New.

Taschenbuch. Zustand: Neu. AI Weiwei | Hans Ulrich Obrist (u. a.) | Taschenbuch | 160 S. | Englisch | 2009 | Phaidon Press | EAN 9780714848891 | Verantwortliche Person für die EU: Phaidon Verlag GmbH, Zähringer Str. 24, 10707 Berlin, gpsr[at]phaidon[dot]com | Anbieter: preigu.

Paperback. Zustand: New. Ai Weiwei (b. 1957) is truly an artist for the twenty-first century. In his sculptures he refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive outdoor sculpture. As much as these materials look to the past, they also speak of the present, because never before (and probably never again) have they been available in such abundance. Like his benches carved from centuries-old temple beams, Template is a sly commentary on the speed with which China's building boom is obliterating its past. (When Template collapsed in a rainstorm two weeks after its unveiling at Documenta 12, the artist embraced its demise as a clever artistic twist.) In China today, making art that's critical of current cultural and economic policies is not a particularly safe career move. But Ai's father, the poet Ai Qing, walked a similar path, absorbing European avant-garde styles while studying in 1930s Paris and later standing by them in the face of Communist opposition, a move that eventually led to his exile to the distant provincial town where his son Weiwei came to be born and raised. In the late 1970s Ai Weiwei moved to Beijing, banding together with other pro-democracy artists in a loose collective known as the Stars Group. In 1981, following government retaliation against one of their exhibitions, Ai moved to New York, where he attended art school and lived the life of the bohemian for twelve years, his East Village apartment serving as a base for countless visiting Chinese artists. When his father became ill in 1993 Ai returned to China, settling in Beijing and finally taking up his art career in earnest. Weiwei's artistic forebears belong primarily to the Western modernist avant-garde (Duchamp and Beuys are particularly relevant). But Ai has equally and increasingly been influenced by modernist architecture and contemporary urban planning, citing the need for an ideal for living in a country where runaway economic development has shown little regard for the everyday life of the individual. In stark contrast to the glass-and-steel high-rises going up around Beijing, the art galleries, ateliers and homes Ai designs are boxy and modest, made from brick and other vernacular materials. Their resolution of Eastern and Western styles is a fitting parallel to his antique readymade sculptures. At a time when the West is finally discovering Chinese contemporary art, Ai is one of the few to have transcended the label 'Chinese artist'. In part thanks to his gallery Urs Meile (Lucerne and Beijing), Ai has won the support of strong European collectors. His work is increasingly being shown at major venues around the world (Kunsthalle Bern, Kunsthaus Graz, Tate Liverpool) and included in major international exhibitions (the Moscow Biennial, the Guangzhou Triennale, Documenta). A complex, multi-faceted artist, Ai is.…