Isbn: 9780714531724 - the alchemy of paint: art, science and secrets from the middle ages (14 Ergebnisse)

Paperback. Zustand: Very Good. unknown. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Very Good. The Alchemy of Paint: Art, Science and Secrets from the Middle Ages This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

paperback. Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. …

paperback. Zustand: New. 1st.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Paperback. Zustand: Brand New. 336 pages. 8.75x5.50x0.75 inches. In Stock.

Zustand: New. In English.

Zustand: New. 2009. unknown. Paperback. Num Pages: 362 pages, illustrations. BIC Classification: 3H; ACK; AFC; AGZ. Category: (G) General (US: Trade). Dimension: 216 x 135 x 26. Weight in Grams: 372. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 336 pages. 8.75x5.50x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - The Alchemy of Paint is a critique of the modern world, which Spike Bucklow sees as the product of seventeenth-century ideas about science. In modern times, we have divorced color from its origins, using it for commercial advantage. Spike Bucklow shows us how in medieval times, color had mystical significance far beyond the enjoyment of shade and hue.Each chapter demonstrates the mindset of medieval Europe and is devoted to just one color, acknowledging its connections with life in the pre-modern world. Colors examined and explained in detail include a midnight blue called ultramarine, an opaque red called vermilion, a multitude of colors made from metals, a transparent red called dragonsblood, and, finally, gold.Today, 'scarlet' describes a color, but it was originally a type of cloth. Henry VI's wardrobe accounts from 1438 to 1489 show that his cheapest scarlet was £14.2s.6d. and that scarlets could fetch up to twice that price. In the fifteenth century, a mid-priced scarlet cost more than two thousand kilos of cheese or one thousand liters of wine. This expense accounts for the custom of giving important visitors the 'red carpet treatment.'The book looks at how color was 'read' in the Middle Ages and returns to materials to look at the hidden meaning of the artists' version of the philosopher's stone. The penultimate chapter considers why everyone has always loved gold.Spike Bucklow is a conservation scientist working with oil paintings at the Hamilton Kerr Institute in Cambridge.…

Zustand: NEW.

Zustand: New. &Uumlber den AutorSpike Bucklow trained as a chemist. He worked in the film industry, creating puppets using prosthetics, including Ronald Reagan in Spitting Image and Jabba the Hut in Return of the Jedi. He became an art conservator, a.