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Verlag: Methuen Drama, 2009
ISBN 10: 0713679131ISBN 13: 9780713679137
Anbieter: Books From California, Simi Valley, CA, USA
Buch
Paperback. Zustand: Very Good.
Verlag: Methuen Drama, 2009
ISBN 10: 0713679131ISBN 13: 9780713679137
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Verlag: Methuen Drama, 2009
ISBN 10: 0713679131ISBN 13: 9780713679137
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.
Verlag: Bloomsbury 3PL, 2006
ISBN 10: 0713679131ISBN 13: 9780713679137
Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. Essential Radio Skills: How to Present and Produce a Radio Show (Professional Media Practice) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Verlag: Bloomsbury Publishing PLC, United Kingdom, London, 2006
ISBN 10: 0713679131ISBN 13: 9780713679137
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. This is a practical, how-to guide to producing and presenting radio to a professional standard. Packed with day-to-day advice that captures the essence and buzz of live broadcasting; from preparing your show before it goes out, last minute changes to running orders, deciding what to drop in over a track, how to sell a feature or promote a programme, setting up competitions, thinking fast in a phone in- this book will help you do all that and more. It covers network and commercial, music and talk radio skills. It will particularly suit the independent local or community radio sector, where people often start out. It features advice from industry professionals, covers industry-wide best practice with enough 'need-to-know' technical information to get you up and running, and distills tried and tested practical tips from a specialist BBC radio trainer, and award-winning radio broadcaster with over 15 years of experience. A handbook you wouldn't want to be without before you go on air. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: A & C Black Publishers Ltd, 2009
ISBN 10: 0713679131ISBN 13: 9780713679137
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Buch
Zustand: Good. Most items will be dispatched the same or the next working day. Ex library copy with usual stamps & stickers . The free end page has been removed.
Verlag: Methuen Drama, 2009
ISBN 10: 0713679131ISBN 13: 9780713679137
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Buch
Zustand: VeryGood. Most items will be dispatched the same or the next working day.
Verlag: London: A & C Black, 2006
ISBN 10: 0713679131ISBN 13: 9780713679137
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch
Broschiert. Zustand: Sehr gut. XVIII; 396 S. mit Abb. Sehr gutes Ex. - Foreword - by Jeremy Vine, Radio 2 - Preface - The author - Acknowledgements - - 1 THE STRUCTURE OF UK RADIO - The BBC - Commercial stations - RSLs - Community radio - Digital radio - Student radio - Hospital radio - Internet radio - Podcasting - Pirate radio - SO YOU WANT TO PRESENT? - What are the plus points? - What are the negatives?, - Your qualifications - Your qualities: adaptability; confidence and friendliness; - courtesy; good personality; humour; lots of interests; sociable; - talkability; team worker; well-organised; be yourself - Your name - Possible earnings - Career prospects - 3 SO YOU WANT TO PRODUCE? - What are the plus points? - What are the negatives? - Your qualifications Your qualities: assertiveness; creativity; good general knowledge; - immediacy; organised; practical and adaptable; research skills; - resilience; self-confidence; writing ability - Possible earnings - Career prospects - - OTHER PEOPLE AT THE STATION - Your manager - Programme controller/director or SBJ programmes - Journalists - Other producers or broadcast assistants - Other presenters - Promotions team - Marketing and brand management team - The sales team - Commercial production - Traffic department - Accounts, finance and admin - Music librarian and scheduler - Community affairs producer - Engineer - Receptionist - THE RADIO STATION - The station's name - Station logo - Station slogan - The station brand - Advertising the station: appeals; social action campaigns; concerts; - street patrols; local logos; out and about; press publicity; publicity stunts; - guerrilla promotions; industry competitions - Advertising on the station: what's in the adverts; four listener turn-offs; - playing the adverts; how presenters can help the sales team; - sponsorship; ads, sponsorship and the BBC - Advertising the station on the station: cross-platform promotions - THE AUDIENCE - The target audience - Non-target listeners - Rajar and ratings: reading the stats; interpreting the stats; alternatives to the diary system; Rajar analysis; tracking; focus groups; LACs THE PROGRAMMES - The programmes - Programme names - The breakfast show: the facts; the audience; the programmes; - the three Fs; a final word - Daytime shows: the facts; the audience; the programmes - Drivetime shows: the facts; the audience; the programmes; musical chairs - Evening shows: the facts; the audience; the programmes - Overnight shows: the audience; the programmes; - the pros and cons of the graveyard shift - Saturdays: the audience; the programmes; sports coverage; - the importance of sport - Sundays: the audience; the programmes - MUSIC PROGRAMMING - Music research - The core - The playlist, - Scheduling music - The playlist meeting - Music categories - The mix in an hour - Hour starters - All the hits? - The role of the computer - Street-level scheduling strategies - The playout computer - The presenter and the music - The importance of music - Music features - Inappropriate music - Appropriate music - Exclusive tracks - Obit songs - Radio edits - Power starts - Christmas songs - Christmas countdowns - PPL, PRS and MCPS - Library music - The spoken word - Internet tracks SPEECH PROGRAMMING - Planning the running order: the programme clock; fill in the blanks; where to put the music; where to put the speech; the music/speech mix; slabs of speech; your best material; your worst material; drag 'em through; life is a roller coaster; it takes two; phono? Oh, no!; at :58; stay flexible; broadcast with flying colours - 10 SHOW PREP - Where links come from: fifteen steps to prep; keep your eyes - and ears open; be prepared; the emotion quotient; make it personal, gee whiz, McFizz; what do they want to know?; what do they need to know?; the ideas generator; an injection of connections; consider these questions; the vol-au-vent advantage; don't over-prep!; it's everyday life; have a reaction; go mental - Breakfast show prep - Show prep services: how to choose one; how to use one; - but the main thing is - Other tips and hints: liner prep; swap shop; stockpile; be ruthless - User-Generated Content: websites; ten key reasons for a website; five key website features; seven key ways producers can use the website; texts - 11 GETTING GUESTS - Choosing guests: variety is the spice; book early to avoid disappointment; - it's still for the listener; reach for the stars; Number Ten - Making the call - Celebrity guests: interview locations; the questions; - plugging products; publicity - Local appearances - Politicians - Actors and musicians - The hierarchy of interview locations: live in the studio; - live on the phone; live down the line; pre-recorded interviews - Briefing sheets: tasters and teasers; contact details; cues and questions; - background information; minutes and seconds - Handover sheets - The guest on the day - ROTS: logger; autorot; snoop tape; dub; transcripts - Your contacts book - ia OUTSIDE BROADCASTS - Why an OB? - Before an OB: the recce; publicity; the day before - What to take on an OB: essential kit; to help the programme; - promotions material; for comfort; technical items On the day - The 'broadcast' bit of an OB: unobtrusive cues; the live audience; - two more things - After the event - Risk assessment - Personal appearances: charity events - The presenter's role - Finally - 13 THE LAW AND GUIDELINES - Libel - Contempt of Court - Elections - Other legal issues: children and young people; sexual offences; - rehabilitation of offenders; the nations; finally - 14 YOUR HEALTH AND SAFETY - The presenter/producer relationship: how a producer can help - a presenter; how a presenter can help a producer - The C-word: communications made easy; how to take it - - good feedback; how to take it - bad feedback - Assertiveness: different characters; being assertive; how to talk assertively; - how to look assertive; how to say 'no' - Your personal safety: awkward listeners; being aware of your - safety; pre.
Verlag: BLOOMSBURY 3PL, 2006
ISBN 10: 0713679131ISBN 13: 9780713679137
Anbieter: moluna, Greven, Deutschland
Buch
Kartoniert / Broschiert. Zustand: New. A practical, how-to guide to producing and presenting radio to a professional standard. It covers network and commercial, music and talk radio skills. It features advice from industry professionals, and covers industry-wide best practice with enough need-t.