EUR 35,09
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Fine.
EUR 29,87
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2050grams, ISBN:9780711232259.
EUR 37,73
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In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. DW: spine bumped and creased on spine; curling on top front edge. Unclipped. Maroon cloth boards with gilt lettering on spine. Head an tail of spine a bit bumped and worn, board tail corners slightly worn and bent. Text block is sound, clean and bright. Numerous b/w and colour illustrations. 310 x 257mm, 270pp inc. notes, bibliography and index.
Sprache: Englisch
Verlag: Quarto Publishing PLC, United Kingdom, 2011
ISBN 10: 0711232253 ISBN 13: 9780711232259
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 70,16
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. Dante Gabriel Rossetti is the most intriguing and flamboyant figure in nineteenth-century British art. He inspired the first Pre-Raphaelite generation of 1849 and the second generation ten years later and both brought about significant changes in British art. His poetry, too, acted as a stimulus to many writers at the end of the century, who saw in his subtle manipulation of the sonnet and the ballad forms ways of giving expression to issues that were peculiar to the that century. Dominant among those issues was that of sexual desire, for Rossetti, more than any other artist in this period, struggled with the contradictions of sexuality. When he died in 1882 people knew of him as the painter of alluring women with exotic names - Lilith, Monna Vanna, Fiammetta - and the writer of subtly erotic verse. He projected onto women his anxieties, his pleasures and his needs. He also mythologized them, so that Elizabeth Siddal, Fanny Cornforth, Jane Morris and others became for him Beatrice, Guenevere, and Isolde. In doing so he shaped them, he changed the direction of their lives, and in some cases he both made and destroyed them. This richly illustrated book, by tracing the development of Rossetti's painting and poetry in the context of the drama of his life, follows this powerful thread. Sometimes sensual, at others spiritual, Rossetti's mission was to transcend the Manichean division that separated body and soul and, through the visionary power of art, reconcile what he saw as elements fundamental to human experience. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.