9780709152545 - Magic of Opera von Knapp, John Merrill (6 Ergebnisse)

Hardcover. Zustand: Very Good. Dust Jacket Included. 371 pages, numerous illustrations in the text, hardback, previous owner's name and a date on the front free end-paper, otherwise a VG+ copy in a VG+ dustwrapper [070915254X].

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:070915254X.

1st Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Previous owner's inscription. Physical description: x, 371 pages: ill, 1facsim, music, ports; 24cm. Subjects: Handel, George Frideric 1685-1759. Opera. Opera History and criticism. 3 Kg.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. First UK edition. VGC.Robert Hale,1975.First UK edition.Blue hardabck(gilt lettering to the spine,two small scratches on the front cover) with Dj(small nicks,scratches and creases on the Dj cover),both in VGC.Illustrated with b/w photos,drawings.Nice and clean pages with a couple of ink marks and light shelf wear on the outer edges,crease inside the edge of the back cover,a couple of creases,small nicks and scratch on the edges of the pages.Nice and clean book with light shelf wear on the Dj cover.378pp including Glossary,index.Price un-clipped. This is another paragraph Product Description: Among the many introductions to opera, this is perhaps the best. J. Merrill Knapp, Professor Emeritus at Princeton University, divides his subject into two parts: In the first, he discusses the structure, production, theatrical conventions, and esthetics of opera; in the second, he features biographies of the major composers and cogent analyses of exemplary qualities in their works. Opera should have a wide appeal, says Knapp in his Preface. In the past too many sensible people have associated it with diamond tiaras, exclusive theater boxes, opening night social snobbery, and haughty prima donnas. For more understanding and knowledge are needed to get rid of these past impressions and to prove that opera is both within the comprehension of the ordinary person and worthy of high aspiration and serious study. This book will open ears and change minds. It is the ideal foundation for anyone curious about-or already in love with-the magical world of opera.

8vo x, 371 pages. Cloth, bumped to corners and foot of backstrip, in d/w, slightly chipped. Internally VG. Music examples, illustrations and photographs throughout.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. First UK edition. VGC.Robert Hale,1975.First UK edition.Blue hardabck(gilt lettering to the spine,two small scratches on the front cover) with Dj(small nicks,scratches and creases on the Dj cover),both in VGC.Illustrated with b/w photos,drawings.Nice and clean pages with a couple of ink marks and light shelf wear on the outer edges,crease inside the edge of the back cover,a couple of creases,small nicks and scratch on the edges of the pages.Nice and clean book with light shelf wear on the Dj cover.378pp including Glossary,index.Price un-clipped. This is another paragraph Product Description: Among the many introductions to opera, this is perhaps the best. J. Merrill Knapp, Professor Emeritus at Princeton University, divides his subject into two parts: In the first, he discusses the structure, production, theatrical conventions, and esthetics of opera; in the second, he features biographies of the major composers and cogent analyses of exemplary qualities in their works. Opera should have a wide appeal, says Knapp in his Preface. In the past too many sensible people have associated it with diamond tiaras, exclusive theater boxes, opening night social snobbery, and haughty prima donnas. For more understanding and knowledge are needed to get rid of these past impressions and to prove that opera is both within the comprehension of the ordinary person and worthy of high aspiration and serious study. This book will open ears and change minds. It is the ideal foundation for anyone curious about-or already in love with-the magical world of opera.