Isbn: 9780708323434 - from silver screen to spanish stage: the humorists of the madrid vanguardia and hollywood film (iberian and latin american studies) (7 Ergebnisse)

Hardcover. Zustand: Fine. Illustrated hard covers. Octavo.216 pages. New copy.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780708323434. …

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780708323434. …

Hardcover. Zustand: Brand New. 216 pages. 8.50x5.75x1.00 inches. In Stock.

Zustand: New. In English.

Zustand: New. An English-language study of a group of five artists closely linked with the Spanish avant-garde in the 1920s and 1930s, known as the 'Other' Generation of 27. It demonstrates how these humorists drew on the humour of Chaplin, Keaton, Lubitsch and the Marx Brothers for their stage comedy. Series: Iberian and Latin American Studies. Num Pages: 224 pages. BIC Classification: 1DSE; APFN. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 223 x 138 x 24. Weight in Grams: 432. . 2011. hardcover. . . . . Books ship from the US and Ireland.…

Zustand: Nuevo. This is the first book-length English-language study of a group of five artists closely linked with the Spanish avant-garde in the 1920s and 1930s, now known as the 'Other' Generation of 27. In the same way that their contemporaries of the celebrated Generation of 27 attempted a revolution of the arts through poetry inspired by European modernism, the 'Other' Generation of 27 attempted to renovate Spanish humour, first in prose, and then in the theatre and cinema. This book demonstrates how these humorists drew on the humour of Chaplin, Keaton, Lubitsch and the Marx Brothers for their stage comedy, and how they stretched the limits of the stage at the time by incorporating cinematic techniques, such as flashback, voice-overs and montage, in their search for new dramatic forms. 216 p.…