Sprache: Englisch
Verlag: University Press of Kansas, 2004
ISBN 10: 0700613528 ISBN 13: 9780700613526
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Good condition ex-library book with usual library markings and stickers.
Sprache: Englisch
Verlag: University Press of Kansas, 2004
ISBN 10: 0700613528 ISBN 13: 9780700613526
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: University Press of Kansas, 2004
ISBN 10: 0700613528 ISBN 13: 9780700613526
Anbieter: Books From California, Simi Valley, CA, USA
hardcover. Zustand: Very Good.
Sprache: Englisch
Verlag: Lawrence: Kansas University Press, 2004
ISBN 10: 0700613528 ISBN 13: 9780700613526
Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes Königreich
Verbandsmitglied: GIAQ
EUR 23,88
Anzahl: 1 verfügbar
In den WarenkorbHardback. Zustand: As New. Series: Culture America xv 268p hardback, dustjacket, as new, never used, excellent copy Language: English.
Sprache: Englisch
Verlag: University Press of Kansas, 2004
ISBN 10: 0700613528 ISBN 13: 9780700613526
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 36,20
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 53,36
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. illustrated edition. 269 pages. 9.25x6.00x1.00 inches. In Stock.
Sprache: Englisch
Verlag: University Press of Kansas, 2004
ISBN 10: 0700613528 ISBN 13: 9780700613526
Anbieter: moluna, Greven, Deutschland
EUR 42,37
Anzahl: Mehr als 20 verfügbar
In den WarenkorbGebunden. Zustand: New. For decades a sideshow attraction was the supposed body of John Wilkes Booth. This is the story of how collective memories and popular histories collide with, clash, and sometimes overcome mainstream accounts of the past.Über den Autor.
Sprache: Englisch
Verlag: University Press Of Kansas Nov 2004, 2004
ISBN 10: 0700613528 ISBN 13: 9780700613526
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - A deformed thumb, a neck scar from a stage accident, and a broken left leg, the result of a dramatic leap. These were the telltale markings that for decades identified a sideshow attraction as the supposed body of John Wilkes Booth. They persuaded onlookers that Lincoln's assassin was not killed in 1865 but survived the assault on Garrett's barn to live on as a fugitive for thirty years afterwards. As Wyatt Evans shows, some popular stories, no matter how weird and improbable, simply refuse to die. Evans recounts how a mummified corpse came to embody the romantic image of the assassin and the legend of his survival. He traces the legend's development in the weeks following the assassination to the appearance of the ''Booth Mummy,'' the remains of an Oklahoma drifter embalmed in 1903 and displayed in carnival sideshows throughout the West. He assesses the political and ideological motivations in both Southern and Northern cultures that made proliferation of the legend possible as well as profitable. He concludes by examining the legend's persistence in present-day America, the mummy's ironic fate, and the recent efforts to exhume Booth's real remains. Weaving a ''vernacular intellectual history,'' Evans shows how the legend emerged from a tangle of cultural and historical events including white Americans' quest for a suitable racial pre-history, collective memories of the Civil War, and even incipient suspicions of conspiracy, since belief in Booth's escape automatically implied a government cover-up of Booth's capture and death. More than a sop to Confederate diehards for whom Booth's escape symbolized Southern vindication, the legend exemplified Americans' inability and unwillingness to enact closure over the tragedy of Lincoln's death. The Legend of John Wilkes Booth is a compelling story of how collective memories and popular histories collide with, clash, and sometimes overcome mainstream accounts of the past. It offers an alternate venue for studying the workings of Civil War memory in American culture and demonstrates how (and why) culture produced at the grassroots level can challenge the official version of events. Through his meticulous account, Evans sheds new light on our complex attitudes toward heroes and villains, our need to mythologize tragedies, and our unwillingness to let go of myths, however absurd.