Sprache: Englisch
Verlag: Princeton University Press, 2023
ISBN 10: 0691252238 ISBN 13: 9780691252230
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Princeton University Press, 2023
ISBN 10: 0691252238 ISBN 13: 9780691252230
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Sprache: Englisch
Verlag: Princeton University Press, 2023
ISBN 10: 0691252238 ISBN 13: 9780691252230
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Sprache: Englisch
Verlag: Princeton University Press, 2023
ISBN 10: 0691252238 ISBN 13: 9780691252230
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Sprache: Englisch
Verlag: Princeton University Press, 1983
ISBN 10: 0691252238 ISBN 13: 9780691252230
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, Hardcover/Pappeinband. Zustand: Gut. 321 Seiten Fresh and clean copy in good condition. Sauberes und frisches Exemplar in gutem Zustand. Contents: Introduction - I. Misera Caput Mundi - The march on Rome - Romes Defenses - The Sack - The Pageant of August 4 - Imago Urbis - II. Rome - Babylon - The Hall of Constantine - The Antichrist-pope - Prognostics and the Antichrist - III. Urbis Direptio - Works of Art - Relics - The Prestige of the Mercenaries - IV. Polemics: Italians and Barbarians - Ghibelline Esoterica - The End of Italy - Teh Despari fo Men of Letters - The Intervention fo Erasmus - Adrian VI - Archaelogy and Paganization - V. The Clementine Style - The Changing of the Guard - Engraving - Rossos Dead Christ - parmigianinos Madonna - The Misfortunes - The Venetian Refuge - VI. Papal Redress, Imperial Triumph - The Pontiffs Beard - Medals and Coins - The Cycle of Saint Michael - THe Last Judgment - The Emperor in Rome ISBN 9780691252230 Sprache: Englisch Gewicht in Gramm: 720.
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In den WarenkorbPaperback. Zustand: Brand New. 344 pages. 10.00x8.00x0.67 inches. In Stock.
Sprache: Englisch
Verlag: Princeton University Press, 2023
ISBN 10: 0691252238 ISBN 13: 9780691252230
Anbieter: moluna, Greven, Deutschland
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Princeton University Press Aug 2023, 2023
ISBN 10: 0691252238 ISBN 13: 9780691252230
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Taschenbuch. Zustand: Neu. Neuware - From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century RomeIn this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Pope Clement VII and the city after it was looted by the troops of Emperor Charles V in 1527. Chastel illuminates the cultural repercussions of the humiliation of Rome, emphasizing the spread or 'Europeanization' of the Mannerist style by artists who fled the city-including Parmigianino, Rosso, Polidoro, Peruzzi, and Perino del Vaga. At the same time, Clement's critics used the new media of printing and engraving to win over the people with caricatures and satirical writings, while Rome responded with monumental works affirming the legitimacy of the pope's temporal power. Chastel explores both the world that was lost by the sack and the great works of art created during Rome's recovery.