Sprache: Englisch
Verlag: Princeton University Press, 2022
ISBN 10: 0691184739 ISBN 13: 9780691184739
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Sprache: Englisch
Verlag: Princeton University Press, 2022
ISBN 10: 0691184739 ISBN 13: 9780691184739
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Sprache: Englisch
Verlag: Princeton University Press, 2022
ISBN 10: 0691184739 ISBN 13: 9780691184739
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Sprache: Englisch
Verlag: Princeton University Press, 2022
ISBN 10: 0691184739 ISBN 13: 9780691184739
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Sprache: Englisch
Verlag: Princeton University Press, 2022
ISBN 10: 0691184739 ISBN 13: 9780691184739
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Princeton University Press, 2022
ISBN 10: 0691184739 ISBN 13: 9780691184739
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In den WarenkorbPaperback. Zustand: Brand New. 328 pages. 9.25x6.12x0.71 inches. In Stock.
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In den WarenkorbPaperback. Zustand: Brand New. 328 pages. 9.25x6.12x0.71 inches. In Stock.
Sprache: Englisch
Verlag: Princeton University Press, 2022
ISBN 10: 0691184739 ISBN 13: 9780691184739
Anbieter: moluna, Greven, Deutschland
Zustand: New. Über den AutorEdward S. Cooke, Jr. is the Charles F. Montgomery Professor of American Decorative Arts at Yale University. His books include Inventing Boston: Design, Production, and Consumption, 1680&ndash1720 and .
Sprache: Englisch
Verlag: Princeton University Press Okt 2022, 2022
ISBN 10: 0691184739 ISBN 13: 9780691184739
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their usesArt history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft. Global Objects points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art.Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium.Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.