ISBN: 9780691165264 - michelangelo’s design principles, particularly in relation to those of raphael (13 Ergebnisse)

Hardcover. Zustand: Like New. Zustand des Schutzumschlags: Fine. Abstract: "In June 2012, an early manuscript by renowned art historian Erwin Panofsky was discovered in a vault in a government building in Munich. The manuscript was quickly identified as Panofsky's habilitationsschrift on Michelangelo, a long-missing and legendary document that certified Panofsky to lead university courses, and about which scholars had speculated for decades. The manuscript's origins date back to late spring of 1920 (and was completed when its author was twenty-eight), but in 1933, Panofsky was forced to flee Nazi Germany without being able to go through his office or papers. The manuscript disappeared in the years leading up to World War II and was thought destroyed in the fire-bombing of Hamburg. Following his emigration to the United States in 1934, Panofsky joined the faculty of the newly-formed Institute for Advanced Study, and went on to author a dozen books, including three with Princeton University Press.…

Hardcover. Zustand: Like New. Like New. Bright, clean copy in fine dj.

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Zustand: as new. Princeton : Princeton University Press, 2020. Hardcover. Dustjacket. lxxx, 323 pp. - The first English translation of Erwin Panofsky's long-lost work on Michelangelo In 2012, a manuscript by renowned art historian Erwin Panofsky was rediscovered in a safe in Munich, in the basement of the Central Institute for Art History. Hidden for decades among folders and administrative files was Panofsky's thesis on Michelangelo-originally submitted to Hamburg University in March of 1920, abandoned when Panofsky fled Hitler's Germany in 1934, and thought to have been destroyed in the Allied bombings. A century on, Michelangelo's Design Principles makes this remarkable work available for the first time in English. Casting Panofsky's thought in an entirely new light, Michelangelo's Design Principles is the legendary scholar's only book-length examination of the art of the Italian Renaissance. He provides a compelling analysis of Michelangelo's artistic style and deftly compares it with that of Raphael, situating both Renaissance masters in the broader context of Western art. This illuminating book offers unique perspectives on Panofsky's early intellectual development and the state of research on Michelangelo and the High Renaissance at a period of transition in art history, when formalist readings of artworks began to take precedence over a biographical approach. Featuring an introduction by Gerda Panofsky that discusses the history of the manuscript and the significance of its rediscovery, Michelangelo's Design Principles is a crucial link between Panofsky's formalist training as a young art historian and his later work in iconology. Condition : as new copy. ISBN 9780691165264. Keywords : HISTORY.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. . 2020. Hardcover. . . . . Books ship from the US and Ireland.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. In English.

Zustand: Very Good.

Hardcover. Zustand: Brand New. 323 pages. 9.00x6.25x1.50 inches. In Stock.

Zustand: New. &Uumlber den AutorErwin Panofsky Edited and with an introduction by Gerda PanofskyKlappentextrnrnIn 2012, a manuscript by renowned art historian Erwin Panofsky was rediscovered in a safe in Munich, in the basement o.

Buch. Zustand: Neu. Neuware - In 2012, a manuscript by renowned art historian Erwin Panofsky was rediscovered in a safe in Munich, in the basement of what is now the Central Institute for Art History. Hidden for decades among folders and administrative files was Panofsky's thesis on Michelangelo--submitted to Hamburg University in 1920, abandoned when Panofsky fled Hitler's Germany in 1933, and thought to have been destroyed in the Allied bombings. Michelangelo's Design Principles makes this remarkable work available for the first time in English, a century after the original version was written. Casting Panofsky's thought in an entirely new light, Michelangelo's Design Principles is the legendary scholar's only book-length examination of the art of the Italian Renaissance. He provides a compelling analysis of Michelangelo's artistic style and deftly compares it with that of Raphael, situating both Renaissance masters in the broader context of Western art. This illuminating book offers unique perspectives on Panofsky's early intellectual development and the state of research on Michelangelo and the High Renaissance at a period of transition in art history, when formalist readings of artworks began to take precedence over a biographical approach.…