Sprache: Englisch
Verlag: Princeton University Press, 2010
ISBN 10: 0691148562 ISBN 13: 9780691148564
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 46,22
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Princeton University Press, 2010
ISBN 10: 0691148562 ISBN 13: 9780691148564
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. A collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. It explores the specific qualities of Berg's brand of musical modernism, and present translated letters and documents that illuminate his relationship to the politics and culture of his era. Editor(s): Hailey, Christopher. Series: The Bard Music Festival. Num Pages: 392 pages, black & white halftones. BIC Classification: AVGC6; AVH. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 234 x 156 x 23. Weight in Grams: 562. . 2010. Remainder. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. 392 pages. 9.00x6.00x1.00 inches. In Stock.
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In den WarenkorbKartoniert / Broschiert. Zustand: New. A collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. It explores the specific qualities of Berg s brand of musical modernism, and present translated letters and documents that illuminate his r.
Sprache: Englisch
Verlag: Princeton University Press Aug 2010, 2010
ISBN 10: 0691148562 ISBN 13: 9780691148564
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Alban Berg and His World is a collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. His allegiance to the austere rigor of Arnold Schoenberg's musical revolution was balanced by a lifelong devotion to the warm sensuousness of Viennese musical tradition and a love of lyric utterance, the emotional intensity of opera, and the expressive nuance of late-Romantic tonal practice. Contributors consider Berg's fascination with palindromes and mirror images and their relationship to notions of time and identity; the Viennese roots of his distinctive orchestral style; his links to such Viennese contemporaries as Alexander Zemlinsky, Franz Schreker, and Erich Wolfgang Korngold; and his attempts to maneuver through the perilous shoals of gender, race, and fascist politics.