9780691126821 - lyric poetry: the pain and the pleasure of words von blasing, mutlu konuk (7 Ergebnisse)
- Hardcover
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
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Zustand: New. Argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. This work proposes that lyric poetry is a public discourse rooted in the mother tongue. It demonstrates the ways that the lyric "I" speaks, from first to last, as… a creation of poetic language. Num Pages: 232 pages, 1 halftone. BIC Classification: DSC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 168 x 235 x 22. Weight in Grams: 470. . 2006. First Edition. Hardcover. . . . . Books ship from the US and Ireland.
- Hardcover
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Hardcover. Zustand: Brand New. 216 pages. 9.50x6.50x1.00 inches. In Stock.
- Hardcover
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Gebunden. Zustand: New. Argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. This work proposes that lyric poetry is a public discourse rooted in the mother tongue. It demonstrates.
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Buch. Zustand: Neu. Neuware - Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the 'I' in a lyric poem, and how is it created In Lyric Poetry, Mutlu Blasing argues that the individual in a lyri…c is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself.In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric 'I' speaks, from first to last, as a creation of poetic language.
