9780691033013 - the complete works of w. h. auden: libretti and other dramatic writings, 1939-1973 von auden, w. h.; kallman, chester (12 Ergebnisse)
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Hardcover
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Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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First Edition. Fine cloth copy in a near-fine, very slightly edge-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Series; The complete works of W.H. Auden. Physical description; xxxvi, 758 pages ; 24 cm. Notes; Includes bibliographical references and index. Subjects; English lit…erature 20th century. Operas ; Librettos. Radio plays. English. Vocal music. 1 Kg.
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Zustand: New. A volume of Auden and Chester Kallman's libretti, it includes historical and textual notes tracing the history of the production and revision of the works, and provides full texts of early scenarios, as well as abandoned and rewritten scenes. Editor(s): Mendelson, Professor Edward. Series: The Complete Works of W.H…. Auden. Num Pages: 800 pages. BIC Classification: DCF. Category: (P) Professional & Scholarly; (U) Tertiary Education (US: College). Dimension: 235 x 155 x 51. Weight in Grams: 1314. . 1993. Hardcover. . . . . Books ship from the US and Ireland.
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Zustand: New. In English.
- Hardcover
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- Hardcover
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Zustand: New. A volume of Auden and Chester Kallman s libretti, it includes historical and textual notes tracing the history of the production and revision of the works, and provides full texts of early scenarios, as well as abandoned and rewritten scenes.Klappen.
- Hardcover
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Hardcover. Zustand: Brand New. n edition. 823 pages. 6.75x9.75x2.00 inches. In Stock.
- Hardcover
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Buch. Zustand: Neu. Neuware - W. H. Auden called opera the 'last refuge of the High Style', and considered it the one art in which the grand manner survived the ironic levelings of modernity. He began writing libretti soon after he arrived in America in 1939 and abandoned his earlier attempts to write public, political drama. Op…era gave him the opportunity to rise to the high style in public, not in an attempt to elevate his own status as a poet, but in service of the heroic voice of the singers. These works present their mythical actions with a direct intensity unlike anything in even his greatest poems. In this volume of Auden and Chester Kallman's libretti, extensive historical and textual notes trace the history of the production and revision of the works and provide full texts of early scenarios, as well as abandoned and rewritten scenes. Almost all the works included here were previously published in incomplete and often inaccessible editions - or were never published at all. The book prints for the first time the full text of Paul Bunyan, Auden's first libretto, which he wrote for music by Benjamin Britten. It also includes Auden and Kallman's The Rake's Progress, written for Igor Stravinsky, and Delia, written for Stravinsky but never set to music. The work continues with Auden and Kallman's two libretti written for music by Hans Werner Henze, Elegy for Young Lovers and The Bassarids, and their adaptation of Love's Labour's Lost, composed by Nicolas Nabokov. It also contains their translation of The Magic Flute, with its scenes reordered for greater dramatic coherence and added dialogue for sharper mythical significance, and their antimasque, The Entertainment of the Senses, for music by John Gardner. Thebook contains two radio plays - The Dark Valley, a monologue written by Auden alone, and The Rocking Horse Winner, written with James Stern and based on a story by D. H. Lawrence. Also included are the unpublished masque that Auden wrote for Kallman's twenty-second birthday.
