ISBN: 9780691006338 - bartok and his world (bard music festival) (7 Ergebnisse)

Sprache: Englisch
Verlag: Princeton University Press, 1995
- Softcover
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Weitere BilderSprache: Englisch
Verlag: Princeton University Press, 1995
- Softcover
- Erstausgabe
Anbieter: Southampton Books, Sag Harbor, NY, USASouthampton Books
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Trade Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Published by Princeton, 1995. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Sprache: Englisch
Verlag: Princeton University Press, US, 1995
- Softcover
Anbieter: Rarewaves USA, HEBRON, KY, USARarewaves USA
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Paperback. Zustand: New. Bela Bartok, who died in New York fifty years ago this September, is one of the most frequently performed twentieth-century composers. He is also the subject of a rapidly growing critical and analytical literature. Bartok was born in Hungary and made his home there for all but his last five years, when he resided in the United States. As a result, many aspects of his life and work have been accessible only to readers of Hungarian. The main goal of this volume is to provide English-speaking audiences with new insights into the life and reception of this musician, especially in Hungary. Part I begins with an essay by Leon Botstein that places Bartok in a large historical and cultural context. Laszlo Somfai reports on the catalog of Bartok's works that is currently in progress. Peter Laki shows the extremes of the composer's reception in Hungary, while Tibor Tallian surveys the often mixed reviews from the American years. The essays of Carl Leafstedt and Vera Lampert deal with his librettists Bela Balazs and Melchior Lengyel respectively. David Schneider addresses the artistic relationship between Bartok and Stravinsky.Most of the letters and interviews in Part II concern Bartok's travels and emigration as they reflected on his personal life and artistic evolution. Part III presents early critical assessments of Bartok's work as well as literary and poetic responses to his music and personality.…

Sprache: Englisch
Verlag: Princeton University Press, 1995
- Softcover
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Zustand: New.

Sprache: Englisch
Verlag: Princeton University Press, 1995
- Softcover
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes KönigreichGreatBookPricesUK
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Zustand: As New. Unread book in perfect condition.

Sprache: Englisch
Verlag: Princeton Univ Pr, 1995
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Paperback. Zustand: Brand New. 328 pages. 9.00x6.25x1.00 inches. In Stock.

Sprache: Englisch
Verlag: Princeton University Press, US, 1995
- Softcover
Anbieter: Rarewaves USA United, HEBRON, KY, USARarewaves USA United
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Paperback. Zustand: New. Bela Bartok, who died in New York fifty years ago this September, is one of the most frequently performed twentieth-century composers. He is also the subject of a rapidly growing critical and analytical literature. Bartok was born in Hungary and made his home there for all but his last five years, when he resided in the United States. As a result, many aspects of his life and work have been accessible only to readers of Hungarian. The main goal of this volume is to provide English-speaking audiences with new insights into the life and reception of this musician, especially in Hungary. Part I begins with an essay by Leon Botstein that places Bartok in a large historical and cultural context. Laszlo Somfai reports on the catalog of Bartok's works that is currently in progress. Peter Laki shows the extremes of the composer's reception in Hungary, while Tibor Tallian surveys the often mixed reviews from the American years. The essays of Carl Leafstedt and Vera Lampert deal with his librettists Bela Balazs and Melchior Lengyel respectively. David Schneider addresses the artistic relationship between Bartok and Stravinsky.Most of the letters and interviews in Part II concern Bartok's travels and emigration as they reflected on his personal life and artistic evolution. Part III presents early critical assessments of Bartok's work as well as literary and poetic responses to his music and personality.…