Isbn: 9780691003085 - caravaggio studies (6 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. A few scattered page with yellow highlighter o/w VG condition with a solid, tight and crease-free spine. TM/Art.

Softcover. 320 pages. Text by Friedlaender. Includes numerous black and white illustrations throughout the text and 66 black and white plates. Author Clayton Eshleman's copy with marginalia, highlighting and some notes and with one page having an illustration clipped out. A very good with some other minor wear. Despite the flaws an interesting copy of this book.…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Softcover. Zustand: Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Softcover. English. Pub Year 1974, See images for condition. About the book >.>.> Caravaggio Studies by Walter Friedlaender offers an in-depth examination of the life and work of the renowned painter Caravaggio, whose revolutionary art significantly influenced the course of European painting. Friedlaender contrasts Caravaggio?s work with that of his contemporaries, such as the Le Nains and George de La Tour, highlighting the provincial nature of their art compared to the vibrant cultural milieu of Rome, where Caravaggio created and thrived. His artistic innovations spread throughout Europe, garnering recognition for their realism and naturalistic features, marking a departure from established norms of the time.Despite his far-reaching influence, Caravaggio faced substantial criticism from art critics and academicians who deemed his work vulgar. Critics dating from the seventeenth century, including Bellori, and into the nineteenth century with Burckhardt, condemned Caravaggio's approach as a degradation of artistic standards and a mere imitation of nature. These detractors, adhering to ideals of beauty, perceived his work as undermining the notion of Good taste, thus classifying him as a painter of low esteem. Such disparagement has persisted for centuries, contributing to the obscurity of his oeuvre.Friedlaender's studies delve into these critical receptions, exploring the dichotomy between Caravaggio's revolutionary contributions and the constraints of societal standards in art. This examination invites readers to reassess Caravaggio?s role in art history, challenging the prevailing narratives that have suppressed his legacy. Through meticulous analysis, the book presents a nuanced understanding of Caravaggio's impact, making it a critical resource for scholars and enthusiasts of art history.…