ISBN: 9780674627819 - notorious identity: materializing the subject in shakespeare (13 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Fine. 2nd impression. Paperback, F. xiv+213pp, index, a nice fine copy. New. Study of Shakespeares use of characters such as Richard III and Cleopatra - figures that had a notoriety well before he used them as central characters in his plays. The book also looks at the significance of the identity of these figures in the emerging early modern England. 352 grams.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780674627819. …

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: New.

Zustand: New. 1995. Revised ed. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. reprint edition. 227 pages. 9.00x6.25x0.75 inches. In Stock.

Zustand: New. pp. 227.

Kartoniert / Broschiert. Zustand: New. Richard III, Troilus and Cressida, and Antony and Cleopatra were figures of intense signification long before Shakespeare gave them new life. When he did, Charnes argues, he used them to explore notorious identity-a new kind of infamy based not on the moral.

Taschenbuch. Zustand: Neu. Neuware - Richard III, Troilus and Cressida, Antony and Cleopatra--these were figures of intense signification long before Shakespeare took up the task of giving them new life on the stage. And when he did, Linda Charnes argues, he used these legendary figures to explore a new kind of fame--notorious identity--an infamy based not on the moral and ethical 'use value' of legend but on a commodification of identity itself: one that must be understood in the context of early modern England's emergent capitalism and its conditions of economic, textual, theatrical, and cultural reproduction. Ranging across cultural materialism, new historicism, feminist psychoanalysis, cultural anthropology, deconstruction, and theories of postmodernity, the author practices a 'theory without organs'--which she provocatively calls a constructive 'New Hystericism'--retheorizing the discourses of reigning methodologies as much as those in Shakespeare's plays.…