9780674008212 - slaves on screen: film and historical vision von davis, natalie zemon (6 Ergebnisse)
Sprache: Englisch
Verlag: Harvard University Press (edition Illustrated), 2002
- Softcover
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Paperback. Zustand: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
- Softcover
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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Softcover
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Paperback. Zustand: Brand New. 176 pages. 7.75x5.25x0.50 inches. In Stock.
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Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9780674008212.
- Softcover
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Zustand: New. Über den AutorNatalie Zemon Davis is Henry Charles Lea Professor of History, Emerita, Princeton University.InhaltsverzeichnisPreface 1. Film as Historical Narrative 2. Resistance and Survival: Spart.
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Taschenbuch. Zustand: Neu. Neuware - The written word and what the eye can see are brought together in this fascinating foray into the depiction of resistance to slavery through the modern medium of film. Natalie Zemon Davis, whose book The Return of Martin Guerre was written while she served as consultant to the French film of…the same name, now tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films: Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998).Davis shows how shifts in the viewpoints of screenwriters and directors parallel those of historians. Spartacus is polarized social history; the films on the Caribbean bring ceremony and carnival to bear on the origins of revolt; Amistad and Beloved draw upon the traumatic wounds in the memory of slavery and the resources for healing them. In each case Davis considers the intentions of filmmakers and evaluates the film and its techniques through historical evidence and interpretation. Family continuity emerges as a major element in the struggle against slavery.Slaves on Screen is based in part on interviews with the Nobel prize-winning author of Beloved, Toni Morrison, and with Manuel Moreno Fraginals, the historical consultant for The Last Supper. Davis brings a new approach to historical film as a source of 'thought experiments' about the past. While the five motion pictures are sometimes cinematic triumphs, with sound history inspiring the imagination, Davis is critical of fictive scenes and characters when they mislead viewers in important ways. Good history makes good films.
