9780553051735 - beverly: an autobiography von sills, beverly; linderman, lawrence (18 Ergebnisse)
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Hardcover. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
- Hardcover
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- Hardcover
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Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
- Hardcover
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Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
- Hardcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
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Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Hardcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Hardcover
Anbieter: Wonder Book, Frederick, MD, USAWonder Book
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Zustand: Good. Good condition. Acceptable dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
- Hardcover
- Erstausgabe
Anbieter: Visible Voice Books, Cleveland, OH, USAVisible Voice Books
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Hardcover. Zustand: Very Good. Bantam Books 1987-04-01 00:00:00 Binding: Hardcover VG. in G dj. dj wchipping, tears, in plastic 356. Illustrated by yes. 1st edition. 8vo.
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- Hardcover
- Erstausgabe
Anbieter: Andre Strong Bookseller, Blue Hill, ME, USAAndre Strong Bookseller
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Hardcover. Zustand: Near Fine. very good +. First printing. 6 1/2 x 9 1/2 inches. xii, 356 pages. First printing with complete number line on copyright page. Condition of the book is Near Fine; Looks new on all points. Dust jacket is Very Good+; very light surface wear. STK.
- Hardcover
Anbieter: Robinson Street Books, IOBA, Binghamton, NY, USARobinson Street Books, IOBA
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Hardcover. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good in Very good dust jacket. First Edition.*.
- Hardcover
Anbieter: Robinson Street Books, IOBA, Binghamton, NY, USARobinson Street Books, IOBA
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Hardcover. Zustand: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good in poor sunned badly torn chipped dust jacket. First edition *.
- Hardcover
Anbieter: GridFreed, San Diego, CA, USAGridFreed
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hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.
- Hardcover
Anbieter: Hollywood Canteen Inc., Toronto, ON, KanadaHollywood Canteen Inc.
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Hardcover. Zustand: Very Good. 2025 basement r.
- Hardcover
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
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Zustand: Good. 8vo. 358 pp. Cloth in dust jacket. Some small tears on dust jacket. Black and white photographs.
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Verlag: Bantam Books, New York, 1987
- Hardcover
- Erstausgabe
Anbieter: Books Tell You Why - ABAA/ILAB, Summerville, SC, USABooks Tell You Why - ABAA/ILAB
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1/4 Cloth. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good-. First Edition; First Printing. First edition/first printing in Very Good+ condition with several stains to edges and damp staining to rear flyleaf in Very Good- dust-jacket with a small closed tear to the lower spine, moderate edge wear and chipping particu…larly to the upper and lower spine; is a touching story of a young girl's journey to self-discovery.Beverly is a young girl who is struggling to find herself. She is unsure of who she is and what she wants in life. Her parents are divorced and she doesn't have a lot of guidance from them. She is also struggling with her friendships. She doesn't know how to connect with people. Beverly is also very introverted. She doesn't really like to be around people. She prefers to be by herself. Beverly is finally ready to start her own journey. She is going to embark on a journey to find out who she is and what she wants in life. She is going to explore her interests and passions. She is also going to find out who her friends are. Beverly is going to have to learn how to connect with people. She is going to have to learn how to be more outgoing. She is going to have to learn how to be more social. Beverly is going to; 8vo; FSA.
- Hardcover
- Erstausgabe
- Signiert
Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USAGround Zero Books, Ltd.
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Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Good. First Printing [Stated]. xii, 356 pages. Illustrations. Index. Some wear and tears to DJ edges. Presentation copy signed and inscribed by the author on the fep. Inscription reads To Frederica and Arthur Love, Beverly Sills. Beverly Sills (May 25, 1929 - July 2, 20…07) was an American operatic soprano whose peak career was between the 1950s and 1970s. Although she sang a repertoire from Handel and Mozart to Puccini, Massenet and Verdi, she was especially renowned for her performances in coloratura soprano roles in live opera and recordings. Sills was largely associated with the operas of Donizetti, of which she performed and recorded many roles. Her signature roles include the title role in Donizetti's Lucia di Lammermoor, the title role in Massenet's Manon, Marie in Donizetti's La fille du régiment, the three heroines in Offenbach's Les contes d'Hoffmann, Rosina in Rossini's The Barber of Seville, Violetta in Verdi's La Traviata, and most notably Elisabetta in Donizetti's Roberto Devereux. After retiring from singing in 1980, she became the general manager of the New York City Opera. In 1994, she became the Chairman of Lincoln Center and then, in 2002, of the Metropolitan Opera, stepping down in 2005. Sills lent her celebrity to further her charity work for the prevention and treatment of birth defects. Lawrence Linderman is a writer who has written extensively for Playboy and Penthouse magazines. He also helped Beverly Sills pen her autobiography. His article "Undercover Angel" in the July, 1981 issue of Playboy was the basis for Larry Ferguson's screenplay for the movie Beyond the Law. This is a revealing, in-depth memoir of Beverly Sills as an international operatic superstar, director of the New York City Opera, mother and wife. In this candid autobiography, Sills finally unleashes the full power of her torrential personality and provides the key to her phenomenal success. Derived from a Kirkus review: Honesty, hilarity and chutzpah served up in heaping Jewish-mother portions by diva/director Sills in this, her second foray into autobiography. While her 1979 Bubbles was as lightweight as its title, this time around Sills has more serious matters in mind. The result is a fine, frequently moving, sometimes acerbic depiction of the private and professional life of an American "original." Part of the fascination with Sills' story of her rise to superstardom owes to the fact that recognition of her extraordinary talent was relatively late arriving. Years spent appearing on Major Bowes' "Capitol Family" radio show, then careening about the country on various "bus and truck tours," a year's stint in a New York "after-hours club," and appearances in slightly shop-worn Shubert operettas finally culminated in a dazzling success in Handel's Julius Caesar at the New York City Opera in 1966. Sills was 37 and an "overnight sensation." In telling her story, Sills refuses to be hemmed in by false modesty; if she thinks she was the world's best in a given role, she says so. There is refreshingly little maguillage in Beverly's self portrait. Sills' descriptions of the problems she and her husband faced in raising their two children--one deaf, the other mentally retarded-- while frequently reported, cannot fail to move readers with their courage and common-sensical love. If false modesty is missing in Sills' character, so is self-pity. Her recounting of her experiences when undergoing treatment for and recovering from ovarian cancer should prove an inspiration to women confronting similar problems. If there is one small quibble, it is that many readers may find the detailing of the difficulties Sills faced during her first years as general director of the moribund New York City Opera overly financial. This is "sure to impress the hell out of everybody".
