Sprache: Englisch
Verlag: Cambridge University Press, 2008
ISBN 10: 0521886961 ISBN 13: 9780521886963
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 34,59
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780521886963.
Sprache: Englisch
Verlag: Cambridge University Press, 2008
ISBN 10: 0521886961 ISBN 13: 9780521886963
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 75,91
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2008
ISBN 10: 0521886961 ISBN 13: 9780521886963
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 109,22
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. A study of Stanislavsky's highly influential method of acting, which draws upon original source material. Num Pages: 316 pages, 10 b/w illus. BIC Classification: ANC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 19. Weight in Grams: 590. . 2008. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 111,76
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. illustrated edition. 316 pages. 9.25x6.00x1.25 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2008
ISBN 10: 0521886961 ISBN 13: 9780521886963
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Konstantin Stanislavsky, the Russian director and actor and co-founder, in 1898, of the Moscow Art Theatre, was the originator of the most influential system of acting in the history of western theatre. Many of Stanislavsky's concepts are widespread in popular thought on acting; this book offers a evaluation of the basis of his ideas, discussing whether the system has survived because Stanislavsky made discoveries about acting that are and always have been scientifically verifiable, or whether his methods work on a practical basis despite an outdated theory. Drawing on information that has become available in recent years in Russia, the book examines how the development of Stanislavsky's system was influenced by scientific discoveries in his lifetime, and compares Stanislavsky's methods with those of Evgeny Vakhtangov, Michael Chekhov and Vsevolod Meyerhold. A full understanding of these ideas is crucial for anyone interested in acting and actor-training today.