Sprache: Englisch
Verlag: Cambridge University Press, 2007
ISBN 10: 0521872960 ISBN 13: 9780521872966
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 120,41
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2007
ISBN 10: 0521872960 ISBN 13: 9780521872966
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 169,59
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. A fresh account of the emergence of an American national literature which reconsiders the importance of form in literary studies. Series: Cambridge Studies in American Literature and Culture. Num Pages: 210 pages, black & white illustrations. BIC Classification: 1KBB; 2AB; DSBF. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 16. Weight in Grams: 500. . 2007. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 174,35
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In den WarenkorbHardcover. Zustand: Brand New. 1st edition. 203 pages. 9.00x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2007
ISBN 10: 0521872960 ISBN 13: 9780521872966
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Theo Davis offers a new account of the emergence of a national literature in the United States. Taking American literature's universalism as an organizing force that must be explained rather than simply exposed, she contends that Emerson, Hawthorne, and Stowe's often noted investigations of experience are actually based in a belief that experience is an abstract category governed by typicality, not the property of the individual subject. Additionally, these authors locate the form of the literary work in the domain of abstract experience, projected out of - not embodied in - the text. After tracing the emergence of these beliefs out of Scottish common sense philosophy and through early American literary criticism, Davis analyzes how American authors' prose seeks to work an art of abstract experience. In so doing, she reconsiders the place of form in literary studies today.