Sprache: Englisch
Verlag: Cambridge University Press, 2006
ISBN 10: 0521856280 ISBN 13: 9780521856287
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 60,27
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780521856287.
Sprache: Englisch
Verlag: Cambridge University Press, 2006
ISBN 10: 0521856280 ISBN 13: 9780521856287
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 89,47
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2006
ISBN 10: 0521856280 ISBN 13: 9780521856287
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 130,82
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. A study of the musical activities of Ademar de Chabannes, the eleventh-century monk. Num Pages: 384 pages, 60 music examples. BIC Classification: 1DDF; 3H; AVH; HRCX8. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 25. Weight in Grams: 758. . 2006. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 131,72
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 1st edition. 367 pages. 9.25x6.25x1.50 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2006
ISBN 10: 0521856280 ISBN 13: 9780521856287
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - James Grier documents the musical activities of Adémar de Chabannes, eleventh-century monk, historian, homilist and tireless polemicist for the apostolic status of Saint Martial, patron saint of the abbey that bore his name in Limoges. Adémar left behind some 451 folios of music with notation in his autograph hand, a musical resource without equal before the seventeenth century. He introduced, at strategic moments, pieces familiar from the standard liturgy for an apostle and items of his own composition. These reveal Adémar to be a supremely able designer of liturgies and a highly original composer. This study analyses his accomplishments as a musical scribe, compiler of liturgies, editor of existing musical works and composer; it also offers a speculative consideration of his abilities as a singer; and finally, it places Adémar's musical activities in the context of liturgical, musical and political developments at the abbey of Saint Martial in Limoges.