ISBN: 9780521851671 - the prima donna and opera, 1815-1930 (cambridge studies in opera) (7 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New.

Zustand: New. An examination of the female opera singer during the nineteenth and twentieth centuries. Series: Cambridge Studies in Opera. Num Pages: 394 pages, 9 tones. BIC Classification: 3JH; 3JJC; AVGC9. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 25. Weight in Grams: 784. . 2006. Illustrated. hardcover. . . . . …

Zustand: New. In English.

Zustand: New. An examination of the female opera singer during the nineteenth and twentieth centuries. Series: Cambridge Studies in Opera. Num Pages: 394 pages, 9 tones. BIC Classification: 3JH; 3JJC; AVGC9. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 25. Weight in Grams: 784. . 2006. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Zustand: Brand New. 1st edition. 381 pages. 9.25x6.25x1.00 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is concerned not so much with the 'prima donna' as with prime donne:a group of working artists (sometimes famous but more often relativelyunknown and now long forgotten) and the circumstances of their professional lives. It attempts to locate these singers within a broader history, including not only the specificities of operatic stage practice but the life beyond the opera house - the social, cultural and political framing that shaped individual experience, artistic endeavour and audience reception. Rutherford addresses questions such as the multiple discourses on the image of the singer and their impact on the changing profile of the professional artist from figlia dell'arte at the beginning of the era to middle-class woman at the end; the aspect of the 'stage mother' and patronage; issues of vocal training and tuition; professional life in the operatic market-place; and performance (both vocal and dramatic) conventions and practices.…