Isbn: 9780521844482 - british musical modernism: the manchester group and their contemporaries (music since 1900) (6 Ergebnisse)

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:9780521844482.…

Hardcover. Zustand: Very Good. 0521844487 Very Good++ in a Very Good++ dust jacket; Hardcover; Dust jacket is clean and intact with no tears, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Unmarked boards with "straight" edge-corners; The textblock edges are unblemished; The endpapers and all text pages are bright and unmarked; The binding is tight with a straight spine; This book will be stored and delivered in a sturdy cardboard box with foam padding; Medium-Large Format (Quatro, 9.75" - 10.75" tall); Green and black dust jacket with title in white lettering; 2015, Cambridge University Press; 504 pages; "British Musical Modernism: The Manchester Group and their Contemporaries (Music since 1900)," by Philip Rupprecht.…

Zustand: New. In English.

Zustand: New. The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop. Series: Music Since 1900. Num Pages: 504 pages, 13 b/w illus. 93 music examples. BIC Classification: 1DBK; AVGC6. Category: (U) Tertiary Education (US: College). Dimension: 256 x 184 x 32. Weight in Grams: 1170. . 2015. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Zustand: Brand New. 492 pages. 10.00x7.50x1.00 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - British Musical Modernism explores the works of eleven key composers to reveal the rapid shifts of expression and technique that transformed British art music in the post-war period. Responding to radical avant-garde developments in post-war Europe, the Manchester Group composers - Alexander Goehr, Peter Maxwell Davies, and Harrison Birtwistle - and their contemporaries assimilated the serial-structuralist preoccupations of mid-century internationalism to an art grounded in resurgent local traditions. In close readings of some thirty-five scores, Philip Rupprecht traces a modernism suffused with the formal elegance of the 1950s, the exuberant theatricality of the 1960s, and - in the works of David Bedford and Tim Souster - the pop, minimalist, and live-electronic directions of the early 1970s. Setting music-analytic insights against a broader social-historical backdrop, Rupprecht traces a British musical modernism that was at once a collective artistic endeavor, and a sounding myth of national identity.…