Sprache: Englisch
Verlag: Cambridge University Press, 2004
ISBN 10: 0521836980 ISBN 13: 9780521836982
Hardcover with Dust Jacket. Zustand: GOOD. Zustand des Schutzumschlags: Good. xv, 256pp. Sewn binding in blue hard covers. Gilt lettering to spine. DJ with sunning to spine and top edge, mild shelf wear. Owner's name to FFEP. Scattered underlining in ink. Otherwise crisp, bright pages and sound copy.
Sprache: Englisch
Verlag: Cambridge University Press, 2004
ISBN 10: 0521836980 ISBN 13: 9780521836982
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 44,70
Anzahl: 1 verfügbar
In den WarenkorbZustand: Fair. Volume 128. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0521836980.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 154,06
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 256 pages. 8.75x5.75x0.05 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2004
ISBN 10: 0521836980 ISBN 13: 9780521836982
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Stephen Pattemore examines passages within Revelation 4:1-22:21 that depict the people of God as actors in the apocalyptic drama and infers what impact these passages would have had on the self-understanding and behaviour of the original audience of the work. He uses Relevance Theory, a development in the linguistic field of pragmatics, to help understand the text against the background of allusion to other texts. Three important images are traced. The picture of the souls under the altar (6:9-11) is found to govern much of the direction of the text with its call to faithful witness and willingness for martyrdom. Even the militant image of a messianic army (7:1-8, 14:1-5) urges the audience in precisely the same direction. Both images combine in the final image of the bride, the culmination of challenge and hope traced briefly in the New Jerusalem visions.