Sprache: Englisch
Verlag: Cambridge University Press, 2005
ISBN 10: 0521834805 ISBN 13: 9780521834803
Anbieter: Prior Books Ltd, Cheltenham, Vereinigtes Königreich
Erstausgabe
EUR 8,89
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. A firm, square and tight hardback with strong joints, just showing a few very minor hardly noticeable bumps and some mild cosmetic wear. Hence a non-text page is stamped 'damaged'. Despite such this book is actually in nearly new condition. Thus the contents are crisp, fresh and clean with no pen-marks. Now offered for sale at a very reasonable price. Please note: no dustjacket present.
Sprache: Englisch
Verlag: Cambridge University Press, 2005
ISBN 10: 0521834805 ISBN 13: 9780521834803
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 92,21
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2005
ISBN 10: 0521834805 ISBN 13: 9780521834803
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 174,18
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Australian Cinema after Mabo is a comprehensive 2005 study of Australian national cinema in the 1990s. Num Pages: 214 pages, 12 b/w illus. BIC Classification: APF. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 13. Weight in Grams: 430. . 2005. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2005
ISBN 10: 0521834805 ISBN 13: 9780521834803
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Australian Cinema after Mabo is a comprehensive 2005 study of Australian national cinema in the 1990s. Using the 1992 Mabo decision as a starting point, it looks at how the Mabo decision, where the founding doctrine of terra nullius was overruled, has destabilised the way Australians relate to the land. It asks how we think about Australian cinema in the post Mabo era, and what part it plays in the national process of reviewing our colonial past and the ways in which settlers and indigenous cultures can co-exist. Including The Tracker, Kiss or Kill, The Castle, Love Serenade and Yolngu Boy among numerous others, this book highlights turning points in the shaping of the Australian cinema since Mabo. It is essential reading for anyone studying Australian cinema and for those interested in the ways in which land politics has impacted upon the way we imagine ourselves through cinema.