Sprache: Englisch
Verlag: Cambridge University Press, 2002
ISBN 10: 0521803462 ISBN 13: 9780521803465
Anbieter: Phatpocket Limited, Waltham Abbey, HERTS, Vereinigtes Königreich
EUR 95,00
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, and may have sticker on cover, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Sprache: Englisch
Verlag: Cambridge University Press, 2002
ISBN 10: 0521803462 ISBN 13: 9780521803465
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 121,65
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2002
ISBN 10: 0521803462 ISBN 13: 9780521803465
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 173,60
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Interpretations of Bach's late compositions which include complex musical techniques such as canon. Series: New Perspectives in Music History and Criticism. Num Pages: 276 pages, 31 b/w illus. 65 music examples. BIC Classification: AVGC3; AVH. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 19. Weight in Grams: 512. . 2002. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
EUR 175,38
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 257 pages. 9.50x6.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2002
ISBN 10: 0521803462 ISBN 13: 9780521803465
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In Bach's Germany musical counterpoint was an art involving much more than the sophisticated use of advanced compositional techniques. A range of theological, cultural, social and political meanings attached themselves to the use of complex procedures such as canon and double counterpoint. This book explores the significance of Bach's counterpoint in a range of interrelated contexts: its use as a means of reflecting on death; its parallels to alchemy; its vexed status in the galant music culture of the first half of the eighteenth century; its value as a representation of political power; and its central importance in the creation of Bach's image in the nineteenth and twentieth centuries. Touching on a wide array of contemporary literary, philosophical, critical, and musical texts, the book includes new readings of many of Bach's late works in order to re-evaluate the status and meaning of counterpoint in Bach's work and legacy.