Sprache: Englisch
Verlag: Cambridge University Press, 2001
ISBN 10: 0521792991 ISBN 13: 9780521792998
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In den WarenkorbHardback. Zustand: Fine.
Sprache: Englisch
Verlag: Cambridge University Press, 2001
ISBN 10: 0521792991 ISBN 13: 9780521792998
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In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Sprache: Englisch
Verlag: Cambridge University Press, 2001
ISBN 10: 0521792991 ISBN 13: 9780521792998
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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In den WarenkorbHardcover. Zustand: Brand New. 232 pages. 9.00x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2001
ISBN 10: 0521792991 ISBN 13: 9780521792998
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In den WarenkorbZustand: New. Dalgarno examines Woolf's engagement with notions of the visible. Num Pages: 232 pages, 1 b/w illus. BIC Classification: 2AB; DSA; DSBH; DSK. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 17. Weight in Grams: 507. . 2001. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2001
ISBN 10: 0521792991 ISBN 13: 9780521792998
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In Virginia Woolf and the Visible World, Emily Dalgarno examines Woolf's engagement with notions of the subject and codes of the visible. Dalgarno examines how Woolf's writing engages with visible and non-visible realms of experience, and draws on ideas from the diverse fields of psychoanalytic theory, classical Greek tragedy, astronomy, photography and photojournalism. The solar eclipse of 1927 marks a dividing line in Woolf's career, after which she portrayed the visible world in terms of light, and shifted her interest from painting to photography. Dalgarno offers textual analyses of Woolf's individual works, including To the Lighthouse, The Waves and Three Guineas, arguing for the importance of her ongoing interest in Greek translation. In later chapters, she explores the theory of the subject that emerges from Woolf's representation of the visible in her autobiography.